The third installment of Short Film Face Off‘s 10th season aired on July 22nd. Three more filmmakers hit the stage in their quest to take home a $40,000 film production prize made generously possible by Telefilm Canada and William F. White. Viewers were also asked to cast their ballot for the winning film, which will be announced on next week’s season-closing episode.
Tonight, Koumbie was first up with her film, Hustle & Heart. Mike Fly’s short Come To Bed was next followed by Noel Harris’ Touch. Hustle & Heart looked at the relationship between two football players; a frustrated couple argues about a weeknight routine in Come To Bed; a single mom in Touch needs a babysitter for her kids so she can go to work and avoid being evicted.
Hustle & Heart garnered 12.0 points to advance to the final, while Come To Bed and Touch tied at 11.5 points.
Hustle & Heart was a good insight into the stresses and fears that could potentially happen when an attraction to someone is not reciprocated by the other. The friend who rebuffed the advance handled the situation well, considering that the two friends played in a macho sport like football.
Come To Bed was a cheeky poke at how routine a couple’s life can get. It was funny to see the husband/boyfriend speak in frustrated garbles and there was a nice nod to today’s technology when the wife/girlfriend suggested he look at his ‘Fitbit’ instead of his watch.
Touch was an intense examination of poverty and family. It was hard to see the mother struggle with trying to find a babysitter, but it was gratifying to see her get help in the end. It was at first difficult to determine what the man’s relationship was to the family, but the daughter made it clearer later on. The caress of the girl’s back by the uncle was a bit tough to watch and was of some concern with the show’s panelists Mohit and Nadia. However, Noel explained his backstory to that scene very well. In the end, the caress could be seen as an uncle’s affection for his niece as he faces an uncertain future the next morning.
Short Film Fan’s Prediction: With three films that were powerful and well-made in their own right, it is difficult to pick just one winner. However, Short Film Fan predicts Renuka Jeyapalan’s A Bicycle Lesson to win next week.
Tonight’s episode of Short Film Face Off was broadcast on July 15th and featured the second round of Canadian filmmakers vying for the $40,000 film production prize from Telefilm Canada and William F. White. While two of the films focused on experiencing a key moment in human life, the third film looked more at the experiences of two dolls’ not-so-pleasant lives.
Letter To My Future Self by Robert Randall was the first on the bill, followed by Renuka Jeyapalan’s A Bicycle Lesson and Trevor Kristjanson’s Boy Toys. In Letter To My Future Self, a teenager struggles with disappointment after reading a letter that she wrote to herself as a child; a young woman teaches her mom to ride a bicycle in A Bicycle Lesson; two dolls in Boy Toys feel the abuse and manipulation caused by their female and male handlers.
A Bicycle Lesson won tonight’s round at 13.5 points, with Boy Toys coming in second place with 12.5 points and Letter To My Future Self taking third place with 10.5 points.
Letter To My Future Self was mostly serious with some humorous moments about that one key stage in life many of us experience: a breakup of a teenage dating relationship. It was heartwarming to see the teenager open up and share her thoughts to her younger self. The conversation’s tone between the two girls felt good as they were speaking to each other not as elder against younger, but more as equals.
A Bicycle Lesson also dealt with a life stage, but this time it is the stage when aging parents need help from their older children. The film did a great job at highlighting the struggle the young woman had with this situation: how do you juggle your own personal life with the need to help your parents? It would be a question that could not be easily answered as it was evident that the relationship between the two women was obviously strained.
Boy Toys offered a hilarious revelation into the life of two “Ken” dolls as they experience all sorts of abuse and embarrassing situations caused by the kids who play with them. It was especially funny to see the awkward positions the dolls took after being thrown onto the ground; that scene in particular could make anyone cringe and should make a kid think twice before treating his or her toys so roughly.
Ten years seem like a long time, especially in the world of television. But for short film fans, ten years of watching Canadian shorts on TV has become a cherished tradition. The tradition continues this weekend when the 10th season of CBC’s Short Film Face Off will be broadcast for the next four weekends in July. The show’s slogan nicely sums up what viewers can expect this month: “four nights, nine films, one winner, you decide.”
At the end of this tenth season, a $40,000 film production package will be awarded to the winner of Short Film Face Off. The package is split up two ways: $30,000 is contributed by Telefilm Canada with an additional $10,000 from William F. White International Inc.
The first episode of Season 10 aired on July 8th, with Steve Patterson returning as host and Nadia Litz, Mohit Rajhans and Eli Glasner resuming their roles as panelists.
On tonight’s episode, we were introduced to Gavin Seal (Case Claus’d), Roman Tchjen (Parent, Teacher) and Jessie Short (Sweet Night). In Case Claus’d, a young boy investigates the true giver of his Christmas gift; a teacher and a parent disagree on how a student should defend himself in Parent Teacher; a young Metis woman begins a journey of cultural reconnection and personal exploration in Sweet Night.
Parent, Teacher moved on to the final round with 13.5 votes, Case Claus’d garnered 12.0 votes, while Sweet Night picked up 10.5 votes.
This tenth season of Face Off started off with three very profound shorts. The message in Case Claus’d that ‘facts don’t matter when you want to believe in something’ can easily be adapted into the adult world just as much as a child’s world; believing in a goal when the odds (i.e. facts) are against you is common in adult lives.
Parent, Teacher was in a sense a clash of cultures and parenting styles. For years, schools and parents have argued over the best way to teach a child to fend off bullying and mistreatment. The argument between the teacher and parent in this short made felt intense and realistic.
Sweet Night was a very timely film in its themes of Aboriginal cultural reconnection and sexual identity exploration. It felt like the LRT ride symbolically represented Andy’s journey down these two paths.
For Canadian short film fans, perhaps one of the most anticipated yearly television broadcasts is CBC’s Short Film Face Off. Taped in front of a live studio audience in Halifax, Nova Scotia, Short Film Face Off features nine Canadian filmmakers and their short films in which one winning filmmaker is awarded a generous filmmaking prize package. Hosted by Steve Patterson, the shorts are judged by a studio panel of three Canadian film professionals and the final winning short film is voted by the show’s viewers across Canada.
This year marks Short Film Face Off’s tenth year of showcasing these diverse and talented filmmakers’ short films to a vast Canadian television viewing audience. This is a huge milestone for the show; especially since it is unique in its format, niche in its content and is on-air for just four weeks of the year.
Short Film Fan reached out to Peter Hall, Senior Manager, Production Services at CBC Atlantic to get some insight into the history of Short Film Face Off, the reason for its longevity, and how the show has been received by the filmmakers and the viewing audience.
Short Film Fan: How did you come up with the idea of Short Film Face Off?
Peter Hall: At CBC Halifax, we were working closely with quite a few short film producers and directors. We supported several awards in the region to help emerging filmmakers get their films produced. There were so many great films being made that we wanted to give them greater exposure and we knew the CBC audience would be the perfect place. We also knew this would be fresh programming because most people have few opportunities to see short films.
SFF: What were you hoping or expecting to achieve with Short Film Face Off, and were those hopes and expectations met?
PH: We have far exceeded our expectations. Here we are ten years later and we have broadcast close to one hundred short films on television and introduced that many emerging Canadian directors to a whole new audience. Our intent was to showcase short films and provide a platform for directors to tell their stories from communities across the country. I am thrilled we are still doing that.
SFF: Short Film Face Off is now in its 10th season. How do you account for this milestone?
PH: Short Film Face Off is a very accessible program. Our host, Steve Patterson, does a great job to make filmmaking easy to understand and to appreciate for the television audience.
But really, the single most important aspect of the program is the quality of films that directors bring the program. They tell unique stories about Canadians and Canadian life and where else are you going to find that?
We also have had terrific support from Telefilm Canada over the years. This program fits perfectly into their mandate, and they have been an integral part of the show’s success.
We also have industry support from William F. White who offers an equipment rental package to our winning filmmakers.
SFF: How has the program changed since its first season, and what kinds of changes to the show do you foresee in the future?
PH: The program itself has not changed very much. Our format is pretty well the same; really the biggest change that we have seen is in the quality of films that are submitted every year. Typically there are close to two hundred films that are sent to our juries across the country and every year it seems they get better and better. Technology has certainly been part of that with the development of computer animation and effects but I think we are seeing films from some very talented filmmakers who know and love their craft.
SFF: Do you have a memorable moment from the show, either on or off camera?
PH: I always love to see the directors interact with Steve for the first time on the set. Steve can be somewhat unpredictable (in a nice way) so understandably it can be unnerving to anticipate what he may say or do. Once a director was describing in detail how, with much difficulty, they had borrowed a Volkswagen to shoot a scene. It turned out to be quite a long story and at the end Steve laughed and said, “Well that story was longer than the whole film”.
SFF:What has the feedback about the show been like from the filmmakers and viewers?
PH: For the most part, filmmakers who come to Halifax for the program love the experience. They really appreciate having their film shown to a national audience and talking about it with industry professionals. But we have noticed the friendships that are made between the filmmakers.
When in Halifax the directors are able to meet others from across the country and there are great conversations and discussions about filmmaking. It is a singular opportunity for them to together and they do so in the studio and after hours in the pub. I think some lasting friendships have begun at Short Film Face Off.
Our best viewer feedback comes from the voting. I am always amazed to see the number of votes and the fact that they come from every province and territory.
SFF: How do you visualize Short Film Face Off’s role on CBC 10 years from now?
PH: I would like to see the program expand into a longer series. Film is the dominant art form of our time and that is unlikely to change in the next 10 years and beyond.
SFF: Do you have any other comments or thoughts you would like to share about Short Film Face Off or Canadian short films, in general?
PH: I would like to tell film and television audiences that there are many fantastic Canadian short films being made in this country. Not only are the films wonderful to watch but the people making them are the future of filmmaking in Canada; they will be the ones to protect and celebrate the future Canadian culture.
Short Film Fan Commentary:
Indeed, there is an incredible wealth of short films out there made by Canadian filmmakers. These shorts are fun to watch with memorable and relatable story lines that add to an already rich Canadian film and television culture. Although they may be found on the Internet and at film festivals, Short Film Face Off is perhaps the most interesting, informative and exciting place to view Canadian shorts.
Viewers who have never seen a Canadian short film before will be impressed with the quality and variety that make their way onto Short Film Face Off each year. If you are not a Canadian short film fan now, you will be after watching the show. It will be exciting to see how this 10th season will unfold. Catch the first episode on July 8 at 7 p.m. local time.
Thank you to Short Film Face Off for connecting Canada together through short films, for bringing Canadian filmmakers into the spotlight and for making Canadian short films more accessible for everyone to enjoy and appreciate. Congratulations on your 10th season!
There once was a time in Canada when you could work at one or maybe two jobs until retirement, collect your pension and enjoy the golden years of your life. There was also a time when very few women worked outside of the home. If they did, it was most likely part-time work where the income was supplementary to her husband’s income. Today, Canadians can expect to work well beyond the traditional retirement age. Also, Canadian women have entered and succeed in all kinds of professions. They have even launched their own successful careers while juggling family responsibilities at the same time. Mabel Robinson, the energetic 90-year old star of Teresa MacInnes’ 20-minute short film Mabel (2016), is one of those pioneering Canadian women who did just that.
Using a mix of animated photos, archived footage and in-salon interviews, Mabel documents the life of Mabel Robinson as Hubbards, Nova Scotia’s first female entrepreneur and her 70-year career. Knowing at a young age that the wanted to be a hairdresser, she was determined to make it happen and made the sacrifices to do so. By attending hairdressing school in Boston, Mabel laid the foundations of her lifelong career. Moving back to Hubbards, not only did she get to pursue her dream career, she established her own hairstyling shop and raised a family while doing so. Despite her aging and the death of her husband, Mabel shows no signs of calling it quits. Watch the entire film below:
Teresa shared some of her thoughts and experiences surrounding the film, and revealed some interesting details about Mabel Robinson that didn’t make it into the documentary:
Short Film Fan: What motivated or influenced you to make Mabel?
Teresa MacInnes: I have always been attracted to the wisdom and charm of older people. I had a close relationship with my grandparents growing up and three of them lived out their final years in our family home. So, when I met the iconic beautician, Mabel Robinson, I immediately saw the potential for an engaging documentary about her and the elderly clients she continues to serve. Like my grandmother, Mabel made me laugh and inspired a deeper perspective on work, life and beauty. She also reminded me of the importance of having older women in my life and on the screen.
When I brought the idea to Annette Clarke at the NFB Atlantic Studio, she was also charmed by Mabel and felt it was an important story to tell – a story that highlighted not only women in their golden years, but also people living in rural Nova Scotia. Annette’s support and encouragement gave me the time to shape the story and to create the film.
SFF: What challenge or challenges did you face when you were making this film?
TM: I have been making feature length and television documentaries for 30 years, so I think the biggest challenge was keeping the film under 30 minutes. Mabel is an amazing woman and the story I tell is only one aspect of who she is. She is an accomplished knitter who sells her gorgeous hats, mittens and sweaters at the farmer’s market. She plays poker and bingo. She is a dedicated volunteer and has a rich circle of friends. But, doing a short portrait was the plan from the beginning and I am glad I took that challenge on. I love the short format and hope to do more in the future.
SFF: Do you have a memorable moment that occurred when you were producing Mabel?
TM: The entire experience was memorable and spending time with Mabel and her clients was exactly what I needed in my life at that time. I was grieving my father’s death and was feeling a bit weary from years of making some pretty intense films. Mabel gave me another perspective and I now look at my work and my life in a very different way. I will always be thankful to her for that.
SFF: What has the audience reception towards the film been like since its release?
TM: When Mabel premiered at the Atlantic Film Festival, CBC News did a story about the film and it went viral; generating millions of views and hundreds of heartfelt comments. Because of this, the demand to see Mabel was immediate. As a result, the NFB decided to release it online via the NFB.ca site and YouTube. The ability to send a link and have it so accessible has been great, but it also means I haven’t had the pleasure of watching it with an audience as much as I would have liked. But, I am happy it is out there for the world to see and the NFB has done a great job of promoting it online.
SFF: What message or messages did you want to get across to the audience with Mabel?
TM: For me, Mabel is a trailblazer; a woman who not only broke barriers when she was young, but is also breaking barriers as a senior. Rooted in community, she is a celebration of doing what you love, of the importance of friendships and of staying active as you age.
Short Film Fan Review: This was a gem of a short documentary. It was heartwarming to see and experience the life of an extraordinary woman that came from a quiet place such as Hubbards, NS. Her focus and determination to get that career going as a young woman should be an inspiration to other young women and men. Conversely, those who are already lucky to be working in a career that they enjoy would want to think twice before considering retirement – why stop doing something you like to do just because you reach a certain age? The use of animated photos gave the documentary a certain charm that brought her past to life. Mabel is a short film that all can enjoy and it is certainly destined to become one of the National Film Board’s classic documentaries.
Some good news about a Canadian short screening in the U.S.
It was reported a few days ago that Peter Huang’s five-minute short 5 Films About Technology (2016)was set to premiere before the U.S. screening of the feature-length film Colossal, starring Anne Hathaway and Jason Sudeikis. This initiative has been made possible by the newly-launched distribution company, Neon.
This could bode well for other Canadian short films.
Although screening a short film or two before the main picture is not a new idea, the time has definitely come for this practice to be revived and implemented in Canadian movie theatres today.
Short film fans will know how challenging it can be to find Canadian shorts to watch in the first place. They take great, proactive lengths to look for them, whether searching online or recording late-night programs like CBC’s Canadian Reflections or waiting for an annual film festival to run in our communities. Screening Canadian shorts right before a major Hollywood movie would make things a little bit easier for the fan.
It also has the potential to give a big boost to the careers of the Canadian filmmakers who work so hard to produce these shorts. They would be able to get their names and films in front of large numbers of Canadian audiences that probably have never seen a Canadian short film before. In turn, Canadian movie goers would get an excellent opportunity to learn about the filmmakers and the short film format. As a result, new Canadian short film fans could be born.
If, one day, Canadian shorts do get screened before a major motion picture, which Canadian filmmaker’s short films do you hope to see? How many short films would you like to watch? Is this practice already taking place in your local movie theatre? Leave a comment or question below.
A year-end message from Short Film Fan creator, writer and publisher Mike Kulasza:
This year, 2016, was an incredible year for Short Film Fan. It was a year of further growth and relationship-building which, hopefully, will continue on into next year.
Readership of Short Film Fan increased over last year; the number of visits this year increased by 50% over last year’s visits. New subscribers via email and WordPress have come aboard, too. This must mean that people out there are truly interested in reading and learning about Canadian short films. Thank you to all the new and current subscribers of Short Film Fan. I appreciate your support!
Short Film Fan featured an amazing mix of Canadian filmmakers this year. I appreciate all of you for allowing me to interview you, and thank you for sharing your fantastic short films for us to watch. BJ Verot, Molly McGlynn and Margaret Lindsay Holton were our newest featured filmmakers, and we also heard from our old friends, Alan Powell and Maxime-Claude L’Ecuyer. And, who could forget Short Film Fan’s feature interview with actress/producer/writer, Katie Boland?
Short Film Fan promoted a variety of excellent film festivals, too. Female Eye Film Festival, Air Canada enRoute Film Festival, National Canadian Film Day and Toronto International Short Film Festival were all featured prominently throughout the year. It is good to know that so many film festivals in Canada screen a wide variety of Canadian shorts.
I also had the pleasure in publishing guest blog posts written by Ihor Cap, Angela Perez and Paul Krumholz. Thank you for your interest in being a guest blogger and for taking the time to write and submit your articles. I encourage more of you to send in your articles to be featured on the site. A set of blogger rules was developed and written back in the late summer especially for anyone interested in making his or her mark on Short Film Fan.
Some days, it is not enough just to sit at a desk and write blog posts. It is important for me to connect with people in-person. So, I hit the road this summer and spent a week in Toronto, where I connected with Katy Swailes, Lee-Anne Bigwood and Karen Tsang of the CBC, and James McNally of Shorts That Are Not Pants. Thanks so much for an awesome time and for your input that week! I hope to see you all again soon.
I really enjoyed featuring weekly updates of CBC Short Film Face Off this year. It was an exciting contest this year. Thank you for all the cooperation and feedback, as well as the shout-outs online! Looking forward to working with you next season.
One of my goals this year was to expand Short Film Fan’s reach into Western Canada. This happened in the summer when the National Film Board’s Katja DeBock in Vancouver reached out and connected with me. Thank you, Katja! I’m looking forward to featuring more NFB shorts in the future.
Much thanks goes out to Alina Kelly and Maria Dasilva for communications and graphic design help. I will always be indebted to you. Thanks also to Iris Yudai for some article-writing advice this fall.
To close, I can’t thank all of you enough for your interest and support of Short Film Fan. All of you are making the site what it is. Without you, there would be no Short Film Fan. Please continue to come back as readers and please think of me again when you want to submit an article, a short to review, or a festival to feature. All of your Facebook shares, Tweets and website pingbacks mean a lot to me. Your participation shows that you value Short Film Fan for its content and worldwide reach, as well as the hard work that goes into each blog post.
It was a busy and dynamic year at Short Film Fan. I would like to wish you and your families a Merry Christmas, Happy Holidays, Happy New Year, and all the best in 2017!
In a few weeks, 2016 will come to a close. Soon, we will all have the opportunity to look back and assess the kind of year that 2016 was. For some, it was a year of joy and happiness. For others, 2016 was a year marked by sorrow and suffering. It was also a year that perhaps marked a turning point for Canada’s Indigenous people. Through media reports in 2016, Canadians learned more about the harsh and distressing reality that faces Canada’s Indigenous community as they grapple with the issue of their missing and murdered women. We learned that this problem has been plaguing the Indigenous community for decades and that an inquiry into the matter was long overdue. In August, the federal government finally announced the establishment of the National Inquiry into Missing and Murdered Indigenous Women and Girls with five commissioners leading the inquiry. While this commission painstakingly looks for answers to this disturbing problem, one organization in Winnipeg, MB has taken upon itself to find some of their own answers.
In the 19-minute short NFB documentary, This River (2016), we are introduced to the volunteer-run group ‘Drag the Red’; its purpose is to search the Red River for traces of missing Indigenous women and men. Written and directed by Katherena Vermette and Erika MacPherson, we follow two volunteers of ‘Drag the Red’ during one of their searches of the river. We listen as one of the volunteers, Kyle Kematch, explains his own personal reason why he takes part in these searches. Katherena narrates during parts of the film, but also reveals a personal tragedy of her own. Watch the full documentary below:
This River is an impactful and moving short documentary. Through the revelations made by Kyle and Katherena, the audience got a deeper understanding of this problem that has overwhelmed Canada’s Indigenous community. It must have been very difficult for Kyle and Katherena to share such recollections on film. But, by doing so, it showed their courage and strength. You can also hear from both of them a mixture of determination and hope. The scenes at river level were stunning, yet haunting. This River teaches us that the need and drive for change is out there and that ‘Drag the Red’ is a perfect example of this. This River is a must-see film and is available at the NFB website for downloading.
This past July, the Air Canada enRoute Film Festival began its 10th anniversary with a free screening of 20 Canadian short films in Vancouver. This followed with screenings in other select Canadian cities, as well as on Air Canada flights around the world. These shorts also competed for a number of awards, including Best Short Film, Achievement in Direction, Achievement in Cinematography, Achievement in Animation, and Achievement in Documentary.
Five finalists have now been selected for these awards and are as follows:
Clouds of Autumn– Trevor Mack and Matthew Taylor Blais, BC
The Constant Refugee– Derrick O’Toole, PC Barfoot and Leila Almaway, ON
Feathers– Hands on Deck, ON
French Kiss at the Sugar Shack– Emmanuelle Lacombe, QC
Robeth– Kevin T. Landry, QC
A free public screening of these nominated short films will take place in Montreal on Monday, November 14 at the Phi Centre at 7:30 p.m.and in Toronto on Thursday, November 17 at Scotiabank Theatre Toronto at 7 p.m.
The winners will be awarded at a private ceremony, hosted by Etalk Reporter Liz Trinnear, at The Fifth Social Club on 225 Richmond Street West after the public screening in Toronto. Achievement Award winners will receive an all-inclusive trip for two to the 2017 Berlin International Film Festival in Germany, courtesy of Air Canada. The winner of Best Short Film will also receive a $5,000 cash prize courtesy of presenting sponsor, Cineplex Entertainment.
“This year marks the festival’s 10th anniversary and what makes it so exceptional is that for the first time we’ve taken the festival truly coast to coast adding more cities and helping to boost awareness of our incredibly talented emerging Canadian filmmakers,” said Andrew Shibata, Managing Director, Brand at Air Canada. “I look forward to a continued growth of the festival and discovering new ways we can help highlight Canadian content creators.”
The Air Canada enRoute Film Festival supporters include Cineplex Entertainment, TELUS Optik Local/STORYHIVE, Sterling Wines, CTV’s Etalk, Spafax, Entertainment One, VICELAND, Telefilm Canada, Directors Guild of Canada, William F. White International Inc., National Film Board of Canada and Hot Docs.
Congratulations to all the finalists. A big thank you goes to Air Canada and to all of the supporters of the film festival and of Canadian short films. Fans of Canadian shorts definitely are grateful for chance to access and watch these films, whether at a festival or in the sky. Thanks also for the continued support of Canadian filmmakers and for fostering Canadian content.
Now and then in our lives, we are faced with making tough decisions. High school students, for example, often have the hard task of deciding what career they want and what post-secondary school to attend. Unemployed persons must choose whether to stay in their current city or move elsewhere to pursue their career, uprooting family and routines in the process. But, perhaps one of the most difficult decisions to make in one’s life is deciding to let go when it is time for someone close to us to pass on into death.
Maxime-Claude L’Écuyer’s deep 13-minute short Suki (2012) examines this challenging situation with one man’s inner struggle as he is faced with the eventuality of euthanizing his pet dog. Mathieu Leclerc (played by Benoit Saint-Hillare) is a concerned man; he is aware that his companion Suki is dying. Wearily, yet faithfully, Suki accompanies Mathieu to the local park and on walks. Deep inside, Mathieu knows that the time has come to put Suki down, but hesitates to make a decision. After unsuccessfully trying to feed Suki, Mathieu eventually makes his choice. Watch the entire film here:
This was an extremely moving short. The tone of the music and the pace of the acting perfectly underscored the seriousness of the situation. It was difficult to watch Suki slowly suffer and it was equally hard to watch Mathieu go through the pain of knowing that he had no choice but to call the veterinarian for the final appointment. The anguish in Mathieu’s face and his hesitancy to get Suki out of the back seat of his car and into the clinic were very realistic. It is definitely not easy to make such a hard decision as putting a loyal pet down. Therefore, this short could certainly be used to help other pet owners deal with their own hesitation and grief as Mathieu faced.
Suki was filmed entirely in Montreal with technical resources from the National Film Board of Canada through their program, l’Aide au cinéma indépendant (ACIC). Suki in the film was also the real-life pet dog of Maxime-Claude. Suki has been seen in 15 film festivals around the world, including the 13th annual Salento Finibus Terrae International Film Festival in Italy, and the 2nd annual Goa Short Film Festival in India. Suki won the Inspiration Award at the 9th annual Cinema On The Bayou Festival in Lafayette, LA.
You can connect with Maxime-Claude on Twitter, Facebook, and Instagram. If you want to see more of Max’s films, be sure to follow him on Vimeo, as well.
Good luck to Max on his future short film productions. Can’t wait to see what he has planned next!