The final episode of the 10th season of CBC`s Short Film Face Off was broadcast on July 29th and it all came down to three excellent filmmaker finalists waiting to hear who the winner was of a handsome $40,000 film production prize made possible by Telefilm Canada and William F. White International. New this season, William F. White contributed an extra $2,500 to each runner-up.
On tonight`s episode, the viewing audience had one more chance to see Roman Tchjen (Parent Teacher), Renuka Jeyapalan (A Bicycle Lesson) and Koumbie (Hustle & Heart) all reassembled onstage before the big winner was announced.
After each short was rescreened, Telefilm Canada’s Francesca Accinelli and host Steve Patterson presented this year’s $40,000 filmmaking prize award to Koumbie. Congratulations, Koumbie! Congratulations also goes out to Roman and Renuka for each picking up $2,500 from William F. White.
It is hard to believe that another season of Short Film Face Off has come and gone. It felt like the contest had just started last week. This is perhaps a testimony to the amazing caliber of short films that were in this year`s competition. Watching a short film can be compared to reading a short story, and the shorts on this year’s Short Film Face Off prove that Canada is truly blessed with creative and skilled storytellers. Timeliness and relativity in their content can also make short films attractive to an audience, and this season’s featured short films certainly had no problems with reflecting the rich diversity that makes up Canada`s population.
Rest assured that after watching this 10th season of Short Film Face Off, Canada`s filmmaking and storytelling future is in very good hands. Looking forward to Season 11!
The third installment of Short Film Face Off‘s 10th season aired on July 22nd. Three more filmmakers hit the stage in their quest to take home a $40,000 film production prize made generously possible by Telefilm Canada and William F. White. Viewers were also asked to cast their ballot for the winning film, which will be announced on next week’s season-closing episode.
Tonight, Koumbie was first up with her film, Hustle & Heart. Mike Fly’s short Come To Bed was next followed by Noel Harris’ Touch. Hustle & Heart looked at the relationship between two football players; a frustrated couple argues about a weeknight routine in Come To Bed; a single mom in Touch needs a babysitter for her kids so she can go to work and avoid being evicted.
Hustle & Heart garnered 12.0 points to advance to the final, while Come To Bed and Touch tied at 11.5 points.
Hustle & Heart was a good insight into the stresses and fears that could potentially happen when an attraction to someone is not reciprocated by the other. The friend who rebuffed the advance handled the situation well, considering that the two friends played in a macho sport like football.
Come To Bed was a cheeky poke at how routine a couple’s life can get. It was funny to see the husband/boyfriend speak in frustrated garbles and there was a nice nod to today’s technology when the wife/girlfriend suggested he look at his ‘Fitbit’ instead of his watch.
Touch was an intense examination of poverty and family. It was hard to see the mother struggle with trying to find a babysitter, but it was gratifying to see her get help in the end. It was at first difficult to determine what the man’s relationship was to the family, but the daughter made it clearer later on. The caress of the girl’s back by the uncle was a bit tough to watch and was of some concern with the show’s panelists Mohit and Nadia. However, Noel explained his backstory to that scene very well. In the end, the caress could be seen as an uncle’s affection for his niece as he faces an uncertain future the next morning.
Short Film Fan’s Prediction: With three films that were powerful and well-made in their own right, it is difficult to pick just one winner. However, Short Film Fan predicts Renuka Jeyapalan’s A Bicycle Lesson to win next week.
Tonight’s episode of Short Film Face Off was broadcast on July 15th and featured the second round of Canadian filmmakers vying for the $40,000 film production prize from Telefilm Canada and William F. White. While two of the films focused on experiencing a key moment in human life, the third film looked more at the experiences of two dolls’ not-so-pleasant lives.
Letter To My Future Self by Robert Randall was the first on the bill, followed by Renuka Jeyapalan’s A Bicycle Lesson and Trevor Kristjanson’s Boy Toys. In Letter To My Future Self, a teenager struggles with disappointment after reading a letter that she wrote to herself as a child; a young woman teaches her mom to ride a bicycle in A Bicycle Lesson; two dolls in Boy Toys feel the abuse and manipulation caused by their female and male handlers.
A Bicycle Lesson won tonight’s round at 13.5 points, with Boy Toys coming in second place with 12.5 points and Letter To My Future Self taking third place with 10.5 points.
Letter To My Future Self was mostly serious with some humorous moments about that one key stage in life many of us experience: a breakup of a teenage dating relationship. It was heartwarming to see the teenager open up and share her thoughts to her younger self. The conversation’s tone between the two girls felt good as they were speaking to each other not as elder against younger, but more as equals.
A Bicycle Lesson also dealt with a life stage, but this time it is the stage when aging parents need help from their older children. The film did a great job at highlighting the struggle the young woman had with this situation: how do you juggle your own personal life with the need to help your parents? It would be a question that could not be easily answered as it was evident that the relationship between the two women was obviously strained.
Boy Toys offered a hilarious revelation into the life of two “Ken” dolls as they experience all sorts of abuse and embarrassing situations caused by the kids who play with them. It was especially funny to see the awkward positions the dolls took after being thrown onto the ground; that scene in particular could make anyone cringe and should make a kid think twice before treating his or her toys so roughly.
Ten years seem like a long time, especially in the world of television. But for short film fans, ten years of watching Canadian shorts on TV has become a cherished tradition. The tradition continues this weekend when the 10th season of CBC’s Short Film Face Off will be broadcast for the next four weekends in July. The show’s slogan nicely sums up what viewers can expect this month: “four nights, nine films, one winner, you decide.”
At the end of this tenth season, a $40,000 film production package will be awarded to the winner of Short Film Face Off. The package is split up two ways: $30,000 is contributed by Telefilm Canada with an additional $10,000 from William F. White International Inc.
The first episode of Season 10 aired on July 8th, with Steve Patterson returning as host and Nadia Litz, Mohit Rajhans and Eli Glasner resuming their roles as panelists.
On tonight’s episode, we were introduced to Gavin Seal (Case Claus’d), Roman Tchjen (Parent, Teacher) and Jessie Short (Sweet Night). In Case Claus’d, a young boy investigates the true giver of his Christmas gift; a teacher and a parent disagree on how a student should defend himself in Parent Teacher; a young Metis woman begins a journey of cultural reconnection and personal exploration in Sweet Night.
Parent, Teacher moved on to the final round with 13.5 votes, Case Claus’d garnered 12.0 votes, while Sweet Night picked up 10.5 votes.
This tenth season of Face Off started off with three very profound shorts. The message in Case Claus’d that ‘facts don’t matter when you want to believe in something’ can easily be adapted into the adult world just as much as a child’s world; believing in a goal when the odds (i.e. facts) are against you is common in adult lives.
Parent, Teacher was in a sense a clash of cultures and parenting styles. For years, schools and parents have argued over the best way to teach a child to fend off bullying and mistreatment. The argument between the teacher and parent in this short made felt intense and realistic.
Sweet Night was a very timely film in its themes of Aboriginal cultural reconnection and sexual identity exploration. It felt like the LRT ride symbolically represented Andy’s journey down these two paths.
For Canadian short film fans, perhaps one of the most anticipated yearly television broadcasts is CBC’s Short Film Face Off. Taped in front of a live studio audience in Halifax, Nova Scotia, Short Film Face Off features nine Canadian filmmakers and their short films in which one winning filmmaker is awarded a generous filmmaking prize package. Hosted by Steve Patterson, the shorts are judged by a studio panel of three Canadian film professionals and the final winning short film is voted by the show’s viewers across Canada.
This year marks Short Film Face Off’s tenth year of showcasing these diverse and talented filmmakers’ short films to a vast Canadian television viewing audience. This is a huge milestone for the show; especially since it is unique in its format, niche in its content and is on-air for just four weeks of the year.
Short Film Fan reached out to Peter Hall, Senior Manager, Production Services at CBC Atlantic to get some insight into the history of Short Film Face Off, the reason for its longevity, and how the show has been received by the filmmakers and the viewing audience.
Short Film Fan: How did you come up with the idea of Short Film Face Off?
Peter Hall: At CBC Halifax, we were working closely with quite a few short film producers and directors. We supported several awards in the region to help emerging filmmakers get their films produced. There were so many great films being made that we wanted to give them greater exposure and we knew the CBC audience would be the perfect place. We also knew this would be fresh programming because most people have few opportunities to see short films.
SFF: What were you hoping or expecting to achieve with Short Film Face Off, and were those hopes and expectations met?
PH: We have far exceeded our expectations. Here we are ten years later and we have broadcast close to one hundred short films on television and introduced that many emerging Canadian directors to a whole new audience. Our intent was to showcase short films and provide a platform for directors to tell their stories from communities across the country. I am thrilled we are still doing that.
SFF: Short Film Face Off is now in its 10th season. How do you account for this milestone?
PH: Short Film Face Off is a very accessible program. Our host, Steve Patterson, does a great job to make filmmaking easy to understand and to appreciate for the television audience.
But really, the single most important aspect of the program is the quality of films that directors bring the program. They tell unique stories about Canadians and Canadian life and where else are you going to find that?
We also have had terrific support from Telefilm Canada over the years. This program fits perfectly into their mandate, and they have been an integral part of the show’s success.
We also have industry support from William F. White who offers an equipment rental package to our winning filmmakers.
SFF: How has the program changed since its first season, and what kinds of changes to the show do you foresee in the future?
PH: The program itself has not changed very much. Our format is pretty well the same; really the biggest change that we have seen is in the quality of films that are submitted every year. Typically there are close to two hundred films that are sent to our juries across the country and every year it seems they get better and better. Technology has certainly been part of that with the development of computer animation and effects but I think we are seeing films from some very talented filmmakers who know and love their craft.
SFF: Do you have a memorable moment from the show, either on or off camera?
PH: I always love to see the directors interact with Steve for the first time on the set. Steve can be somewhat unpredictable (in a nice way) so understandably it can be unnerving to anticipate what he may say or do. Once a director was describing in detail how, with much difficulty, they had borrowed a Volkswagen to shoot a scene. It turned out to be quite a long story and at the end Steve laughed and said, “Well that story was longer than the whole film”.
SFF:What has the feedback about the show been like from the filmmakers and viewers?
PH: For the most part, filmmakers who come to Halifax for the program love the experience. They really appreciate having their film shown to a national audience and talking about it with industry professionals. But we have noticed the friendships that are made between the filmmakers.
When in Halifax the directors are able to meet others from across the country and there are great conversations and discussions about filmmaking. It is a singular opportunity for them to together and they do so in the studio and after hours in the pub. I think some lasting friendships have begun at Short Film Face Off.
Our best viewer feedback comes from the voting. I am always amazed to see the number of votes and the fact that they come from every province and territory.
SFF: How do you visualize Short Film Face Off’s role on CBC 10 years from now?
PH: I would like to see the program expand into a longer series. Film is the dominant art form of our time and that is unlikely to change in the next 10 years and beyond.
SFF: Do you have any other comments or thoughts you would like to share about Short Film Face Off or Canadian short films, in general?
PH: I would like to tell film and television audiences that there are many fantastic Canadian short films being made in this country. Not only are the films wonderful to watch but the people making them are the future of filmmaking in Canada; they will be the ones to protect and celebrate the future Canadian culture.
Short Film Fan Commentary:
Indeed, there is an incredible wealth of short films out there made by Canadian filmmakers. These shorts are fun to watch with memorable and relatable story lines that add to an already rich Canadian film and television culture. Although they may be found on the Internet and at film festivals, Short Film Face Off is perhaps the most interesting, informative and exciting place to view Canadian shorts.
Viewers who have never seen a Canadian short film before will be impressed with the quality and variety that make their way onto Short Film Face Off each year. If you are not a Canadian short film fan now, you will be after watching the show. It will be exciting to see how this 10th season will unfold. Catch the first episode on July 8 at 7 p.m. local time.
Thank you to Short Film Face Off for connecting Canada together through short films, for bringing Canadian filmmakers into the spotlight and for making Canadian short films more accessible for everyone to enjoy and appreciate. Congratulations on your 10th season!
A year-end message from Short Film Fan creator, writer and publisher Mike Kulasza:
This year, 2016, was an incredible year for Short Film Fan. It was a year of further growth and relationship-building which, hopefully, will continue on into next year.
Readership of Short Film Fan increased over last year; the number of visits this year increased by 50% over last year’s visits. New subscribers via email and WordPress have come aboard, too. This must mean that people out there are truly interested in reading and learning about Canadian short films. Thank you to all the new and current subscribers of Short Film Fan. I appreciate your support!
Short Film Fan featured an amazing mix of Canadian filmmakers this year. I appreciate all of you for allowing me to interview you, and thank you for sharing your fantastic short films for us to watch. BJ Verot, Molly McGlynn and Margaret Lindsay Holton were our newest featured filmmakers, and we also heard from our old friends, Alan Powell and Maxime-Claude L’Ecuyer. And, who could forget Short Film Fan’s feature interview with actress/producer/writer, Katie Boland?
Short Film Fan promoted a variety of excellent film festivals, too. Female Eye Film Festival, Air Canada enRoute Film Festival, National Canadian Film Day and Toronto International Short Film Festival were all featured prominently throughout the year. It is good to know that so many film festivals in Canada screen a wide variety of Canadian shorts.
I also had the pleasure in publishing guest blog posts written by Ihor Cap, Angela Perez and Paul Krumholz. Thank you for your interest in being a guest blogger and for taking the time to write and submit your articles. I encourage more of you to send in your articles to be featured on the site. A set of blogger rules was developed and written back in the late summer especially for anyone interested in making his or her mark on Short Film Fan.
Some days, it is not enough just to sit at a desk and write blog posts. It is important for me to connect with people in-person. So, I hit the road this summer and spent a week in Toronto, where I connected with Katy Swailes, Lee-Anne Bigwood and Karen Tsang of the CBC, and James McNally of Shorts That Are Not Pants. Thanks so much for an awesome time and for your input that week! I hope to see you all again soon.
I really enjoyed featuring weekly updates of CBC Short Film Face Off this year. It was an exciting contest this year. Thank you for all the cooperation and feedback, as well as the shout-outs online! Looking forward to working with you next season.
One of my goals this year was to expand Short Film Fan’s reach into Western Canada. This happened in the summer when the National Film Board’s Katja DeBock in Vancouver reached out and connected with me. Thank you, Katja! I’m looking forward to featuring more NFB shorts in the future.
Much thanks goes out to Alina Kelly and Maria Dasilva for communications and graphic design help. I will always be indebted to you. Thanks also to Iris Yudai for some article-writing advice this fall.
To close, I can’t thank all of you enough for your interest and support of Short Film Fan. All of you are making the site what it is. Without you, there would be no Short Film Fan. Please continue to come back as readers and please think of me again when you want to submit an article, a short to review, or a festival to feature. All of your Facebook shares, Tweets and website pingbacks mean a lot to me. Your participation shows that you value Short Film Fan for its content and worldwide reach, as well as the hard work that goes into each blog post.
It was a busy and dynamic year at Short Film Fan. I would like to wish you and your families a Merry Christmas, Happy Holidays, Happy New Year, and all the best in 2017!
It has been a hot summer so far in Canada, and this season’s Short Film Face Off on CBC definitely played a part in the rising heat levels. For the past three weeks, fans of Canadian short films tuned in to the program and witnessed nine sizzling filmmakers burn their way up the points scale for a chance to win a $45,000 film production prize generously sponsored by Telefilm Canada and William F. White International.
This season’s fourth and final episode of Short Film Face Off began with the re-introduction of the three finalists: Mark Slutsky (Never Happened), Mike Fardy (Moving On) and Hector Herrera (The Ballad ofImmortal Joe). All three films were re-screened for the viewers and studio audience, the directors spoke briefly about the production of their films, and panelists Mohit Rajhans, Nadia Litz and Eli Glasner shared their parting comments to Mark, Mike and Hector.
Three alumni of Short Film Face Off were also featured in small interview clips throughout the show. James Stewart, Stephen Dunn and Ashley McKenzie let the audience know about what new projects they were working on and how appearing on Short Film Face Off was a boon to their filmmaking careers. Last year’s Short Film Face Off winners BJ Verot and Brad Crawford were also interviewed and shared the exciting news that one of their recent film projects had made it all the way to Cannes.
Viewers from coast to coast had the opportunity last weekend to vote for their favourite film and the ultimate winner of the $45,000 prize. To present the award to the winner, Francesca Accinelli, Telefilm Canada’s Director of National Promotion & Communications, joined host Steve Patterson to make the exciting announcement. In the end, this season’s winner was Mike Fardy! Congratulations, Mike!
Kudos also goes out to Mark and Hector for making it to the final round. You can catch tonight’s season finale, the three previous episodes and all nine shorts at CBC Player.
This season’s Short Film Face Off had an excellent variety of professionally-crafted shorts produced by filmmakers from across the country. It is good to have a program like Short Film Face Off available to Canadian audiences. Not only is it an unique platform Canadian filmmakers to be seen and to get a boost in their careers, it also gives fans and admirers of the genre access to a vast array of shorts that they may not otherwise get a chance to see. The show’s intimate format brings the audience and producer closer together and having the films accessible on the website makes it easier for fans to find them and to watch them again and again.
Next year is Short Film Face Off’s 10th anniversary. It will be interesting to see which films will be featured and if any special events will take place around its milestone year. Maybe some special award will be handed out on the show, such as a People’s Choice Award or a 10th Anniversary Award for an alumnus of the program. Looking forward to Season Ten!
The last trio of Canadian filmmakers appeared on the third episode of CBC’s Short Film Face Off on July 2nd. They all had their spotlights beaming on the $45,000 film production prize to be won on next week’s finals courtesy of Telefilm Canada and William F. White.
This time, it was Hector Herrera (The Ballad of Immortal Joe), Daniel Boos (Bound) and Rachelle Casseus (The Buckley Brothers) who were featured on the program and made their pitches to the panel. These three short films were brimming with romance, drama and comedy. In the animated The Battle of Immortal Joe, a cowboy monster recounts his tale of love and sadness; a shopkeeper in Bound is torn when he discovers his brother employs foreign workers; two brothers born of different fathers are convinced they are identical twins in The Buckley Brothers.
In the end, The Buckley Brothers finished in third place with 12.0 points, with Bound coming in second place with 13.5 points. The Ballad of Immortal Joe clinched first place with 14.0 points and was the highest-scoring film on the program this season.
Tonight’s shorts had certain characteristics to them that should make them audience favorites at future film festivals. The Ballad of Immortal Joe was an entertaining and unique tribute to the old cowboy stories of The Old West. We also learn the lesson that despite our sorrows, there are others who are worse-off in life. The shopkeeper faced a difficult situation in Bound – how to deal with the fact that his generous brother is also using foreign (read: illegal) workers at his sawmill. The appearance of the small paper note signified the seriousness of the plight of these workers, while the mystery of the unknown message written in the note has the ability to raise curiosity levels in any viewer. The two brothers in The Buckley Brothers symbolized that one can be happy and accept others despite overt differences. The two young girls’ memories of their dates with the brothers were funny and the children who played the brothers as young kids bore an almost uncanny resemblance to the grown actors.
Hats off to Hector, Daniel and Rachelle for competing on Short Film Face Off. All the best goes to Hector as he approaches possible immortality on next week’s season finale. Viewers have the chance to vote for their favourite film from the past three weeks at cbc.ca/shortfilmfaceoff or by phoning 1-877-876-3636 until Sunday night.
You can watch tonight’s episode and each of these three films again online at CBC Player.
The second episode of this season’s Short Film Face Off aired on June 25th with three more talented Canadian filmmakers. Each had their camera lenses focused on winning the $45,000 film production prize contributed by Telefilm Canada and William F. White.
Mike Fardy (Moving On), Michael Chen (Lost) and Brett Ferster (Claddagh) joined host Steve Patterson as they each presented their own skill at short filmmaking. There was a mix of humour and seriousness in tonight’s films. A woman tries to convince her partner to take their relationship to the next level in Moving On; a young girl in Lost finds peace through a relationship with a stuffed toy rabbit; the oldest of three brothers has to decide between the telling the truth and protecting his siblings in Claddagh.
While Lost came in third with 10.5 points, Moving On won tonight’s round with 12.5 points by narrowly passing second place Claddagh, which picked up 12.0 points.
It was good to see a mixture of intensity and lightheartedness in tonight’s shorts. Moving On was a funny look at the age-old struggle that confronts most people at some point: the desire to have things to stay the same versus the need to progress with life. The magic wands were the perfect props; in our culture, they have come to symbolize our desire to have the power to get what we want without pain or working for it. The anguish and sadness suffered by the little girl in Lost was difficult to watch, but it is an unfortunate reality that is experienced by many children in unhappy homes. However, the short-lived happiness she felt by playing with the toy rabbit was uplifting. Claddagh reminded us that we can count on certain members of our family to help us out when a situation feels unescapable. It also showed that help and compassion can come from the most unlikely of people; the sheriff knew the brother was covering-up for the other brother, but gave the boys a chance to disassociate themselves from the fisherman’s death.
Congratulations go out to Mike, Michael and Brett for appearing on Short Film Face Off. All the best to Mike as he ‘moves on’ to the final round. Watch tonight’s episode and the films online at CBC Player.
Summer is typically the time of year when we can slow down a little and relax outside, whether at the cottage or at the beach. Summer is also an opportunity to watch new blockbuster movie releases from Hollywood or to catch up on old favourites via downloads or rentals through cable TV. If you are looking for the latest in Canadian short films, however, look no further than CBC-TV’s Short Film Face Off. Now in its ninth year, Short Film Face Off comes to you for four weekends in a row with nine filmmakers hoping to win one fantastic filmmaking prize.
The sought-after prize is a $45,000 film production package with $30,000 coming from Telefilm Canada and an additional $15,000 contributed by William F. White International Inc. The prize will be awarded at the end of this season’s fourth and final episode.
Face Off went through some changes since it last aired in the fall of 2015. Firstly, the show’s broadcast dates were moved to the summer months of June and July. Secondly, William F. White became the newest contributor to the prize awarded to the show’s winner. And, thirdly, filmmaker Nadia Litz made her debut as one of the show’s panelists.
This newest and ninth season of Face Off took place on June 18th. Steve Patterson resumed his role as host of the program. Joining Nadia Litz on the panel of judges were veteran Face Off panelists Mohit Rajhans and Eli Glasner.
Tonight’s contestants were Jennifer Walden (Painted Girl), Mark Slutsky (Never Happened) and Ross Moore (The Woman in White). Painted Girl looked at the transformation of a young woman by the arrival of her grandfather’s painting kit in the mail; two business colleagues attempt to wipe away the memory of their affair in Never Happened; a young girl and an older man talk about their sibling rivalries in The Woman in White.
Painted Girl picked up 11.5 votes, while both Never Happened and The Woman in White earned 13.0 votes. After a tie-breaker huddle by the panel, Never Happened won and became the first short film of the season to advance to the final round.
These three shorts were a powerful way to start the ninth season of Face Off. It was very encouraging to see the woman determined to keep going with her painting despite the abuse she suffered in Painted Girl. With her strong memories of her grandfather and a growing talent in painting, it came as no surprise that she connected with the subjects that she painted. In Never Happened, you can definitely feel the anticipation and attraction between the two colleagues. Using their phones to delete the affair from their memories was a clever commentary on how technology has become pervasive in our personal lives. The Woman in White showed us how deeply sibling relationships impact our lives in some way. However, it also reminded us to remember the good times we had with our siblings when an unexpected turn happens to that relationship.
A well-deserved ‘congratulations’ goes to Jennifer, Mark and Ross. Good luck to Mark in his quest for the $45,000 production award. Visit the CBC Player to watch the entire episode again or each film separately.