The 5th annual Toronto Shorts International Film Festival is back in this September, taking place from the 21st to the 24th at the AGO Art Gallery of Ontario’s Jackman Hall. As in previous years, the festival proudly showcases some of the most unique and fascinating shorts films from Canada and the world.
Among the shorts that will be screened, 25 of them are Canadian and represent a variety of genres, including sci-fi, comedy, drama and animation.
One Canadian short that will catch your eye is FTL, which was written and directed by Adam Stern and stars Ty Olsson as Commander Kane. Kane gets an opportunity to test a new spacecraft, called ‘Lightspeed’, which was constructed to travel faster than the speed of light. While the ship successfully arrives to an orbit around Mars, its attempt to return back to Earth takes an unexpected and frightening turn for Kane, his cohorts and his family. Watch the trailer for a sneak peek at the film:
As a sci-fi short film, FTL is an amazing story about hope and courage when technology goes awry. The drama and suspense are powerful enough to keep the viewer on the edge of his or her seat. The special effects were incredibly detailed and enjoyable to watch. There are some interesting resemblances in FTL to some very famous sci-fi feature films. Kane’s cool attitude in the beginning is reminiscent to Han Solo from Star Wars, while his maddening trip through space will remind viewers of Dave Bowman’s descent to Jupiter in 2001: A Space Odyssey. The ending of the film happened a little too quickly; it would have been interesting to hear what Kane had to say about the whole ordeal. Overall, FTL was a well-acted and well produced short film out of British Columbia. It even has the potential to be made into a full-length feature.
For fans of short film, do not miss out on your chance to visit the Toronto Shorts International Film Festival this year. You will be able to catch more amazing short films such as FTL with a general admission of $14 or with an all-access pass of $40. To buy tickets and for more information on this year’s lineup, including other Canadian shorts, check out their website at www.TorontoShorts.com and be sure to attend!
Want to share a review or comment on a Canadian short that you saw at the festival? Send them to Short Film Fan via Facebook, Twitter or email. Readers’ thoughts on short films are always welcome.
This year’s TIFF is just around the corner and a while back, Short Film Fan listed 29 Canadian short films that will be screened at this year’s festival. For fans of the NFB, three of their animated shorts are also in the mix. This week, the good folks at the NFB provided SFF a chance to screen these shorts before the festival kicks off on September 7th. The following are the films’ teasers and synopses:
Charles, by Dominic Etienne Simard (2017)
Charles knows he’s not like other kids. Every day at school, he’s reminded that his life isn’t like that of his classmates. Every day at home, he sees that he doesn’t receive the same care as other children in his neighbourhood. To dodge the unfairness and taunts, Charles imagines a peaceful haven peopled by good-hearted little frogs.
The Tesla World Light, by Matthew Rankin (2017)
New York, 1905. Visionary inventor Nikola Tesla makes one last appeal to J.P. Morgan, his onetime benefactor. The Telsa World Lightis a tragic fantasy about the father of alternating current, inspired by real events such as the inventor’s run of bad luck as a businessman and his affection for a pet bird, which he loves “like a man loves a woman.” Tesla’s words to the banker form the backdrop of this moving film about the man who blended science and art in his attempts to create the utopia of unlimited energy for all.
Threads, by Torill Kove (2017)
In her latest animated short, Academy Award®-winning director Torill Kove explores the beauty and complexity of parental love, the bonds that we form over time, and the ways in which they stretch and shape us.
Short Film Fan Pick: The Tesla World Light. This was a fascinating documentary-style short about one of the world’s pioneers of electrical engineering. The story itself is enough to encourage others to want to learn more about Tesla’s career struggles and successes. The film was extremely fast-paced and contained a delightful, eye-catching and impressive mix of animation, photography and live action. Those who have seen Rankin’s previous animated short, Mynarski Death Plummet, will see many similarities in styles and pace between the two films. Without a doubt, The Tesla World Light will prove to be a hit with history buffs and lovers of avant-garde cinema alike.
Next month, the 42nd annual Toronto International Film Fest (TIFF) will be taking place September 7th to 17th and it promises to satisfy the palates of all sorts of film buffs. From world cinema to documentaries to experimental film, TIFF 2017 is Canada’s, if not the continent’s, largest on-going film festival that features new and seasoned film talent from Canada and around the world.
Of course, no film festival would be complete without short films and TIFF recently announced this year’s shorts line up for its September screening. There will be 29 Canadian shorts at this year’s festival, including 11 directed by women and three by Indigenous filmmakers. 24 shorts are part of the Short Cuts programme and 5 shorts will be shown under the festival’s Wavelength banner.
The complete list is as follows:
SHORT CUTS PROGRAMME
The Argument (with annotations) Daniel Cockburn, Canada/UK
Bickford Park Linsey Stewart, Dane Clark, Canada
Bird Molly Parker, Canada
Charles Dominic Etienne Simard, Canada/France
Creatura Dada Caroline Monnet, Canada
Crème de menthe Philippe David Gagné, Jean-Marc E. Roy, Canada
The Crying Conch (Le cri du lambi) Vincent Toi, Canada
The Drop In Naledi Jackson, Canada
For Nonna Anna Luis De Filippis, Canada
Grandmother (ʔEtsu) Trevor Mack, Canada
homer_b Milos Mitrovic, Conor Sweeney, Canada
An Imagined Conversation: Kanye West & Stephen Hawking Sol Friedman, Canada
Stay, I Don’t Want to Be Alone (Reste, je ne veux pas être toute seule) Gabriel Savignac, Canada
The Tesla World Light (Tesla : Lumière Mondiale) Matthew Rankin, Canada
Threads Torill Kove, Canada/Norway
We Forgot to Break Up Chandler Levack, Canada
Heart of a Mountain Parastoo Anoushahpour, Ryan Ferko, Faraz Anoushahpour, Taiwan/Canada
Palmerston Blvd. Dan Browne, Canada
Scaffold Kazik Radwanski, Canada
some cities Francesco Gagliardi, Canada
Turtles Are Always Home (Sokun Al Sulhufat) Rawane Nassif, Canada/Lebanon/Qatar
All 24 Canadian Short Cuts films are eligible for the IWC Short Cuts Award for Best Canadian Short Film. All films in the Short Cuts programme are eligible for the IWC Short Cuts Award for Best Film. For synopses of all shorts, go to tiff.net/sc and tiff.net/wavelengths. For tickets, click tiff.net/tickets or call 416-599-TIFF (toll-free: 1-888-599-8433).
If you will be attending TIFF this year, why not show your support for homegrown short film talent and see this year’s slate of Canadian shorts (many of which are world premieres). If you do happen to see any of them, share your thoughts about what you saw by leaving a message in the comments box below!
If you or anyone you know is a young and aspiring filmmaker living in the Greater Toronto area, the Toronto Youth Shorts Film Festival is back. On August 11th and 12th, a total of 53 short films will be featured in five different programs throughout various locations. This festival is your chance to see some of Toronto’s budding filmmakers’ work in a wide variety of genres, including animation, comedy and drama covering a wide variety of topics.
Short Film Fan had the pleasure in reviewing a sample of what festival goers will expect to see at this year’s festival. The themes, dates and locations of these films are also included below. Thanks to Aleks Tucovic, an avid Short Film Fan reader and subscriber, for contributing four of the reviews in this list:
UNDER THE SURFACE – August 11, 7:30pm, Spadina Theatre at Alliance Francaise de Toronto
But Wait, There’s More – directed by Mike Mildon
In this cheeky 14-minute short, Tim goes door to door on a mission to bring people to God. In his travels, he meets the legendary and disgraced TV marketer, Danny Deals, who teaches Tim a thing or two about sales. The film was part mockumentary, part dramatic comedy in which the costumes and props gave the short somewhat of an authentic 1980s look and feel. There are some good lessons to learn at the end, no matter what you are trying to sell. – MK
Erika – directed by Hanna Jovin
During World War II, a Bosnian and German girl find and stoke a friendship that stretches beyond ethnicity. The acting was excellent and the use of German and Bosnian languages made it feel like the short was produced in Europe. Maybe the lesson to be learned in this film is that, while the first casualty of war is truth, the innocence of youth remains intact. This a great short for history buffs who would like to learn more about Bosnia and its people during the war. -MK
UNBOUND – August 12, 1:15pm, Innis College
Happy Face Hill – directed by Samantha Chalmers
When life drives a highway through one’s life, what is one to do? There’s no better opportunity than to put a smile on everyone who is driving that highway of life. “Happy face can’t always be happy,” says the film’s speaker, however. He reminds us to just enjoy the day, the family, friends and the meal on the table. You don’t know what the day will bring, but having watched Happy Face Hill I know it brought an enjoyable film to my day. -AT
Nana – directed by Ali Kellner
This animation piece is a personal account of experience of a girl from Budapest during World War II. The film flows from the narration. Where the words established the events, the animation filled with imagery of what was directed in those harsh times. The music which was of somber tone bound together the destiny of people swept up by great historical shifts. The film pulled me in into its humble yet powerful reflections. -AT
PROPOSAL – August 12, 3:30pm, Innis College
The Talk – directed by Tyler Boyco
A husband and wife try to come up with the best possible way to talk to their young teenage daughter about the birds and the bees. The resulting heart to heart is far from the scenarios that they come up with in their minds. Although a bit slow paced, this short made an often uncomfortable rite of passage for all parties involved into a lighthearted comedy. After watching this short, teenage viewers may want to tread carefully while at sitting at home between after school and dinner time. -MK
These Familiar Faces – directed by Maximum Brauch and Raine Akiyama-Chen
This was a spooky story of four people in an emotional group session. The music weighed in heavily on the direction of the film. Going back and forth in creative storytelling created its own story deconstruction. The film’s characters left me wondering about what reality was like for those young enough to remember and those not yet old enough to know better. -AT
TRANSITIONS – August 12, 6:00pm, Innis College
Ariana – directed by Astrid Harrison
After losing her love in a car accident, young woman hears a particular tune at a wedding that she can’t get out of her mind. She helps the song’s composer by adding lyrics of her own, which in turn helps her with closure. The short was a very heartwarming story about the tragedy of love lost and the hope in moving on. The car accident scene was particularly shocking and has the potential to make viewers flinch in their seats. The music and singing were beautifully written and scored for the film. -MK
Breath, Maggie, Breathe – directed by Sofie Uretsky
Before undergoing a delicate and unconditional procedure, a conversation between sisters sets the tone of the story. The opening shows the main character strongly composed then shows her vulnerability in dialogue. I liked how her deflection of a doctor’s concern leads directly to the next scene’s reflections with her partner. This was an uncomplicated yet important story. -AT
For short film fans living in the Winnipeg area, the summer weather has been very hot and humid this past while. If you are looking to escape the heat while enjoying 27 newly-minted Manitoba-made short films at the same time, come down to the Metropolitan Entertainment Centre on Wednesday, August 2nd at 7 p.m. for the 48-Hour Film Contest.
This annual event organized by the Winnipeg Film Group encourages the creation of short films made by Manitoba residents. Participants are tasked to write, shoot, edit, score and complete an original short in just two days.
Not only will the audience be treated to some quality short films, there will be a reception after the contest with a chance to win some prizes and an opportunity to mix and mingle with the filmmakers and members of various arts organizations.
Hot off of the 48-Hour Contest premiere at Gimli Film Festival, Short Film Fan caught up with Ben Williams, WFG’s Production Centre Director, to learn more about this year’s 48-Hour Film Contest at the Met:
Short Film Fan: What genre of shorts will be screened at this year’s contest?
Ben Williams: Actually, every year the filmmakers are given a challenge to produce a film within a set of parameters called “The Key”. The Key changes every year and each year there is a different plot theme, at least two camera techniques and the use of a music score. It is within these parameters that each filmmaker crafts their film. This year the plot theme was titled “The Quest”: There’s comedy, drama, LGBT content, special effects, some action and even puppets in this year’s crop of films.
SFF: Which categories will these shorts compete under?
BW: At Gimli, there was a jury selection for Best Film, Best Director, Best Cinematography, Best Editor, Best Sound, Best Score, Best Actor and Best Actress. At the Metropolitan, the audience gets to decide on the People’s Choice Awards for Best Film and Best Score. If you attend this event your vote will count.
SFF: Which filmmakers should the audience especially keep their eyes on?
BW: I can honestly say that this year’s crop of films is stronger than it has been in the past four years. If we judge it by what the jury and Gimli crowd felt… filmmakers like Julie Epp, Cleo Leslie, Michael Sanders, Jhurmel Pasqua, Vincent Tang, Carter Hadlow, Lasha Mountain, John Titley and Lucky 7 Studios (composed of 7 teenagers ages 13-17) each have quality films. The bar is getting raised higher each year and we are proud of the results.
SFF: Why should short film fans attend this year’s 48-Hour Film Contest?
BW: There will be a reception afterwards with appetizers and a cash bar served from 6 p.m. to 10:30 p.m. We will have a silent auction with generous sponsorships from: Royal MTC, Winnipeg Symphony Orchestra, Royal Ballet of Winnipeg, Landmark Cinemas and other great prizes. All ticket holders will receive 10% off at Chosabi (printed on the ticket). There will be many filmmakers, musicians, actors, film industry folks, local business arts supporters and arts organizations in attendance a great opportunity to build and network.
A pair of free tickets is available to a lucky Short Film Fan reader in Winnipeg. Just email your name and phone number to email@example.com and two tickets will be waiting for you and a guest at the door.
Toronto is home to many film festivals, and the Toronto International Film Festival (TIFF) is by far the city’s best known. Film buffs from around the world descend upon TIFF each year to watch and enjoy features and shorts from Canada and around the globe. If you’re lucky, you even get a chance to see some of Hollywood’s finest actors as they make their appearance to TIFF. Over the years, TIFF has become a huge cultural event that puts the film spotlight directly on Canada.
For film fans, and for short film fans in particular, you’ll be pleased to know that you can experience TIFF outside of its annual fall programming by way of TIFF Short Cuts. Shown at the TIFF Bell Lightbox in downtown Toronto, TIFF Short Cuts screens a variety of Canadian and world-wide short films. If you’re unable to visit Toronto for any reason and would like to experience TIFF Short Cuts, have no fear. TIFF’s outreach program, TIFF Film Circuit, makes its appearance in many Canadian communities each year.
Short Film Fan reached out to Laura Good, programmer of TIFF Short Cuts and TIFF Film Circuit, to get a better understanding of what Short Cuts is all about and what is planned for Short Cuts programming this year.
Short Film Fan: What is TIFF Short Cuts?
Laura Good: TIFF Short Cuts is a programming stream dedicated to showcasing short film. The year round Short Cuts series is named as an extension of the Short Cuts section at the Toronto International Film Festival. We host monthly screenings that feature the best of international short film, spanning all genres, sensibilities and styles with a focus on innovation, originality, representation and impact.
Short Cuts allows audiences to sample cinema from all over the globe, in one sitting, and in my opinion, it is some of the most important filmmaking in the world. Short film is a birthplace of innovation and is often the first place we see global trends emerge in terms of both content and form. Since the format is able to be nimble and reactive, it is often the most accurate reflection of our current zeitgeist, as well.
SFF: What is your role with Short Cuts?
LG: I program and host the series, so I get to assemble programs of some of the most incredible short filmmaking in the world and present them to Toronto audiences. There are, generally speaking, far less constraints on short filmmakers than on feature filmmakers, so they have more flexibility and creative freedom. I would argue that the same freedom is inherent to short film programming.
Our recent Misfits program celebrated stories about characters who live beyond the artistic, cultural and existential status quo. It’s a beautiful thing be able to explore something like nonconformity through a diverse pack of female skateboarders who resist the patriarchy (Jennifer Reeder’s Crystal Lake), a contemporary ghost story (Connor Jessup’s Boy), and a woman who transforms into a cloud as a defense mechanism (Mark Katz’ aptly named, People Are Becoming Clouds), all in one screening slot. I feel very lucky to get to showcase such boundary-pushing work from the filmmakers who will determine the future of cinema.
I also bring in short film packages of short format work from fellow festivals and organisations. Past collaborations have included the Sundance Shorts Tour, featuring award winners from their festival, curated by Sundance’s own Mike Plante, and The Prism Prize Top Ten, featuring nominees for the prestigious award, which recognizes excellence in Canadian music videos.
SFF: How long has TIFF Short Cuts been going on for?
LG: The year round Short Cuts series has only been taking place since the opening of TIFF Bell Lightbox in 2010, but it has an old soul. TIFF programmer Magali Simard programmed the series for many years and passed the baton on to me last year.
SFF: Where in Toronto can short film fans check out Short Cuts?
LG: You can check out the Short Cuts series at the aforementioned TIFF Bell Lightbox, year-round home of the Toronto International Film Festival and hub for film lovers from Toronto and around the world. Keep an eye on the schedule here: http://www.tiff.net/#short-cuts
SFF: What kind of short films do you typically screen at Short Cuts?
LG: We show the best of world cinema including favourites from the Toronto International Film Festival, such as the hypnotizing documentary montage on the resilience of indigenous peoples across time and space – Mobilize (dir. Caroline Monnet), and the recipient of the Best Short Film award at the 2015 Toronto International Film Festival, depicting a Senegalese family living in Paris, who find themselves at a crossroads – Maman(s) (dir. Maïmouna Doucouré). We also feature award winners from around the world, such as the Winner of the Horizons Award at the 2015 Venice Film Festival – Belladona (dir. Dubravka Turic), a remarkable Croatian film about perception and female to female empathy, and hidden gems such as the incredibly timely and impeccably cast look at the African American experience After TheStorm (dir. Jessica Oyelowo).
SFF: Do you screen only Canadian shorts at Short Cuts, or do you also feature shorts from other countries?
LG: We screen short films from around the globe. Countries represented in the past year include: Iraq, Germany, Argentina, Australia, Chile, Croatia, France, The United Kingdom, Hungary, Norway, Sweden, U.S.A., Israel and Jordan, to name a few.
It is also a priority to support the incredible filmmaking happening here at home. Every program has Canadian representation. A few Canadian films that we have recently featured include: The GrandfatherDrum (dir. Michelle Derosier), Mobilize (dir. Caroline Monnet), Bacon and God’s Wrath (dir. Sol Friedman), Boy (dir. Connor Jessup), Dredger (dir. Phillip Barker), Her Friend Adam (dir. Ben Petrie), Benjamin (dir. Sherren Lee), and World Famous Gopher Hole Museum (dir. by Chelsea Mcmullan and Douglas Nayler).
SFF: Have any filmmakers come to any of your Short Cuts screenings as guest speakers?
LG: Yes! We aim to have a filmmaker or special guest in attendance at each screening.
Director Phillip Barker and lead actress Alex Paxton-Beasley (known for Dirty Singles and TV’s MurdochMysteries) attended the screening of his visually arresting, fourth wall breaking short, Dredger, which was a part of our Summer Fever program, to talk about experimental filmmaking, sexuality and character. They also spoke about their last collaboration, Malody, and hinted at another to come.
Ben Petrie, who directed the glorious and unforgettable meltdown that is Sundance Award winner and Canada’s Top Ten selection, Her Friend Adam, also joined us to talk about his process and working with TIFF Rising Star Grace Glowicki, for our screening of the Sundance Film Festival Short Film Tour.
Connor Jessup, director of the Ozu-inspired and poetically supernatural Boy attended the Misfits program. You may know him as an alumnus of the TIFF Rising Stars program which recognizes talent in front of the camera, such as his performances in Closet Monster and TV’s American Crime. The producer of Boy Ashley Shields-Muir (who also collaborated with Jessup on Little Coffins) joined us as well. They told us all about their influence and gave us a sneak peek into their next short, Lira’s Forest, which they described as having the sensibility of a live action studio Ghibli film!
Sherren Lee, director of Benjamin (a film that tackles LGBTQ adoption and surrogacy), was in attendance for an Intro and Q&A following the screening along with her lead actor Jean-Michel Le Gal to talk about feminism in film and representation in all its forms.
SFF: Many short film fans don’t live in Toronto, and therefore aren’t able to attend Short Cuts easily. Are there ways that they can experience a Short Cuts screening in their own hometown?
LG: TIFF’s national film outreach program, TIFF Film Circuit, brings the best of both short and long format filmmaking to film series’ and film festivals across Canada. Film Circuit works with 170 locations in over 150 communities spanning from Prince Rupert, B.C. to Charlottetown, P.E.I.
I program many of the Canadian shorts that we play at the Short Cuts series at TIFF Film Circuit locations across the country. Some locations show short film packages and others pair short films with features. TIFF’s Canada’s Top Ten program travels to many of our locations and the Oscar-nominated Canadian short film Blind Vaysha (which was also an official selection of the Toronto International Film Festival and Canada’s Top Ten Film Festival), is currently prefacing many feature film screenings. Find out if there is a Film Circuit location near you, here: www.tiff.net/filmcircuit/locations
SFF: How has the audience reception been to Short Cuts?
LG: The audiences have been really engaged. One of our highest attended recent screenings was the Emerging Female Voices Spotlight – a collection of short films from some of the world’s most promising emerging female filmmakers. We used the screening as an opportunity to vocalize our commitment to gender parity and intersectional feminism. The gender gap grows dramatically in the space that typically exists between short and feature filmmaking so it’s a vital place to have that conversation. We also used the program as an entry point to a much larger conversation about inclusion, representation and empathic intelligence, and the Toronto short film community rallied!
SFF: Can we get a sneak peek into what you have planned for Short Cuts in 2017?
LG: Absolutely! Our next program – Canada, Animated – focuses on home-grown talent. It takes place on Sunday, March 5th at 1pm and explores what makes the Canadian viewpoint so unique through the work of some of our most exciting new animators. It will include Alisi Telengut’s Nutag – Homeland, a poignant, hand-painted ode to the pain of the displaced Kalmyk people of the Soviet Union, following WWII. Also feature filmmaker Robin Joseph’s Fox and the Whale, an atmospheric tale of curiosity about a fox who is drawn to the sea. Joseph will be in attendance to introduce the film and will be present for a Q&A with the audience, following the program. Take a look at the full program details for Canada, Animated here: http://www.tiff.net/events/canadian-animation
Also upcoming is Spotlight: Clermont Ferrand, a selection of recent favourites from the Clermont-Ferrand International Short Film Festival curated by Laurent Guerrier, screening Thursday, April 6th at 9pm. Highlights include Shio Chen Quesck’s Guang, an affecting Malaysian film about a young man who struggles with social interaction but finds comfort in a secret passion and Emma de Swaef and Marc Roels’ fabric based stop motion animation Oh Willy, an absurdist Nordic film about a nudist in mourning, who ventures into the woods to find solace. Take a look at the full program details for Spotlight: Clermont Ferrand here: http://www.tiff.net/events/spotlight-clermont-ferrand
Stay tuned for more programs, to be announced on a seasonal basis, throughout 2017!
Sounds like it’s going to be an excellent year of shorts programming this year at Short Cuts. A big ‘thanks’ goes to Laura and everyone at TIFF for making Canadian shorts accessible via Short Cuts, Film Circuit and TIFF itself. If you happen to catch any of the Canadian shorts at these screenings, be sure to let them know via Twitter @TIFFShortCuts @FilmCircuitTIFF and @TIFF_Net. Don’t forget to include Short Film Fan @shortfilmfan or leave a comment below. Follow TIFF on Facebook, too: https://www.facebook.com/TIFF
When making a short film, one must know how to handle a variety of challenges. Things like weather conditions are certainly out of a filmmaker’s control, as are unforeseen situations such as equipment breaking down. But, what about managing time? Are you struggling with completing your work on schedule? Could you make a short film in 8 days? If you are a new filmmaker and you think you may need to sharpen your time management skills, consider submitting your next short to the Crazy8s Film Festival in Vancouver, BC.
This year’s edition of Crazy8s is taking place on February 25th at 7:00 p.m. at The Centre, located on 777 Homer Street. An after party is set to follow the screening at 9:00 p.m. at Science World on 1455 Quebec Street. Among the hundreds of applicants that submitted their films to the organization, six teams of filmmakers were chosen to produce their shorts in 8 days. The winning films that will be screened are:
Ahn Hung (by director/writer Lelinh Du and writer/producer Frazer MacLean).
Cypher (by director/writer Lawrence Le Lam, writer/producer Nach Dudsdeemaytha and writer Jerome Yoo).
No Reservations (by director/writer Trevor Carroll and producer Ben Mallin).
The Prince (by director/writer Kyra Zagorsky and producers Janene Carlton, Robin Nielsen, Danielle Stott Roy and Patrick Sabongui).
The Undertaker’s Son (by director/writer/producers The Affolter Brothers).
Woodman (by director Mike Jackson, writer Peter New and producers Rory Tucker, Avi Glanzer and Rozlyn Young).
Short Film Fan got in touch Alicia Bernbaum, Crazy8s Associate Producer, to learn more about the festival:
Short Film Fan: What is the Crazy 8s film event?
Alicia Bernbaum: The Crazy8s film event is not your typical film contest – it’s an 8 day filmmaking event plus a gala screening and after party. We provide sponsorship opportunities, funding and acceleration tools like workshops and script editing to 6 teams after a video and in-person pitch judging session. Crazy8s has now produced and brought to life 103 short films since 1999.
SFF: What kinds of filmmakers are eligible to participate in Crazy8s?
AB: Crazy8s is open to all levels of Canadian filmmaker but prides itself on supporting the best up and coming directors and their teams. The production crew is often made up of seasoned professionals and new industry members who are collaborative and excited to work together.
SFF: What makes Crazy8s different from other film festivals in Canada?
AB: The films you see at Crazy8s are made in 8 days and then screened a week later with all of the sound, color and editing you would expect to see on professional big budget films. It’s really amazing what is accomplished. This year the gala is February 25th at The Centre and the after party is at Science World.
SFF: What can viewers expect to see at this year’s edition of Crazy8s?
AB: You can expect to see 6 films that reflect how the new generation feel about today and how they view society.
SFF: What would like the audience to take away from attending the festival?
AB: We would like the audience to be able to make their own judgments about the films, open up conversations and know that all of these projects were made possible because a community came together for a united cause – storytelling.
We hope everyone will have a good time at Crazy8s this year. For more information about the festival, including how to get tickets for the event, go to: http://crazy8s.film/ If you are at the festival and see a film that you like, Tweet out the title along with the handles @Crazy8sFilm and @shortfilmfan or leave a comment below.
The weekend is almost here, and what better way to enjoy it than to attend a local film festival and get caught up on the latest in Canadian and international short films. If you happen to be in Vancouver for the weekend, and are fan of British Columbia-made short films, you are in for a treat.
The Vancouver Short Film Festival (VSFF) will be taking place January 27th and 28th at Vancity Theatre with 28 shorts to be screened altogether. The festival dates back to 2005, when it was known as the Vancouver Student Film Festival. In 2009, the name was changed to Vancouver Short Film Festival as professional filmmakers began to be featured alongside their student counterparts.
Short Film Fan caught up with Vancouver Short Film Festival Co-Director Kristyn Stilling to learn more about the festival, including why the festival was started and what the audience can expect to experience by attending.
Short Film Fan: Why was the Vancouver Short Film Festival launched in the first place?
Kristyn Stilling: The Vancouver Short Film Festival (VSFF) was started to celebrate the vibrant community of short film, video, and animation artists on the Canadian West Coast. We hope to build ties between emerging and established professionals, and provide an arena where all short filmmakers, including students, can screen their films in public and support their fellow colleagues. Our ultimate goal is to connect short filmmakers to a broader audience in order to grow the local film industry.
SFF: Do the shorts originate from Vancouver only, or do they also come from other parts of British Columbia?
KS: To be eligible for the festival, the films must have a BC Resident Cast or Crew on their project. VSFF celebrates all the filmmaking crafts, as well as filmmakers from other countries who are currently living in Vancouver.
SFF: Are the shorts a mix of professional and student-made films?
KS: They are! This year we have 8 student films.
SFF: Will there be an opportunity for the audience to meet any of the filmmakers?
KS: After each screening there will be a Q&A with the filmmakers in attendance. There are also networking opportunities at our Opening Reception, Closing Gala, and in between the screenings. VSFF is a community that brings filmmakers and film lovers together.
SFF: What would like the audience to take away from attending the festival?
KS: A sense of community. VSFF prides itself on supporting and celebrating the best our province has to offer and we are incredibly thankful to our audience and sponsors for coming back year after year to support local BC filmmaking and storytelling.
We wish everyone at Vancouver Short Film Festival all the best for a successful and fun festival. To get your tickets or to find out what films are playing and when, please visit their website at: http://www.vsff.com/vsff-2017-program. Follow them on Twitter and like their Facebook page to get the latest in news and information coming from the festival.
Hey short film fans: if you really liked any of the shorts this weekend, why not Tweet it out to @VSFF and to @shortfilmfan, or post a comment about it below?
There are two anniversaries being celebrated at the University of Winnipeg this year, and what better way to have a party than to hold an exhibition of short films made by current and former staff and students at its own art gallery.
Moving Images is taking place at the University of Winnipeg’s Gallery 1C03 in honour of the University’s 50th anniversary of its charter and the Gallery’s 30th anniversary of its opening. The event is on between January 12 and February 18, 2017, and includes panel discussions, a collage exhibition and short film screenings. A total of 23 shorts will be presented and are organized into five different cinematic themes:
Moving Images is co-curated by Jennifer Gibson, Gallery 1C03 director and curator, and Alison Gillmor, art historian and film critic. Short Film Fan reached out to Jennifer and Alison to learn more about the shorts being screened at this fascinating exhibition:
Short Film Fan: Why were these five particular themes chosen for Moving Images?
JG & AG: They came about rather organically; we found that particular approaches and ideas were being dealt with by multiple artists and so we found ourselves grouping those works together. That being said, there are no hard and fast rules in terms of which films are part of specific themes or programs. A number of them – Shimby Zegeye-Gebrehiwot’s yaya/ayat, to give one example – could be screened in multiple programs.
SFF: How difficult was it for you to choose the final list of shorts to be screened at the exhibit?
JG & AG: It was very challenging. Winnipeg has such a rich community of artists. There are many more fabulous works that we would have liked to include. If we had more funding, we would have been able to present even more films.
SFF: Will there be an opportunity to meet any of the featured filmmakers?
JG & AG: Yes! Guy Maddin and a number of the other artists were at the opening reception last week and Guy spoke with his colleague Evan Johnson on Thursday evening about archival influences in their on-line film project Séances.
There will be two more opportunities to hear filmmakers discuss their work. University of Winnipeg English Studies professor Andrew Burke will moderate a discussion on cinematic experimentalism with artists Mike Maryniuk, Sol Nagler and Rhayne Vermette on Monday, January 30 at 7:00 p.m. in UW’s Eckhardt-Gramatté Hall.
On Thursday, February 9 at 7:00 p.m. the University’s Chair in the History of Indigenous Arts in North America Julie Nagam will lead a discussion with artists Danishka Esterhazy, Freya Bjorg Olafson and two members of The Ephemerals collective, Jaimie Isaac and Jenny Western. That event also takes place in Eckhardt-Gramatté Hall.
SFF: Are there any plans for the Moving Images exhibition to return next year?
JG & AG: Moving Images is a special project that has been organized in honour of Gallery 1C03’s 30th anniversary and the University of Winnipeg’s 50th anniversary to celebrate the talent of the University community – all of the artists are alumni, current or former students, and current or former faculty and instructors. We did not envision it as an annual project but there are certainly plenty more fantastic works that could be screened. It’s a great idea to consider a follow-up.
SFF: What do you hope the audience will take away from this exhibition?
JG & AG: We’re hoping that people will get some sense of the depth and range of artists’ films in Manitoba, not just with established names like Guy Maddin, but also among a younger generation often working with pop culture references and experimental techniques, and often referencing urgent social and political issues. There are a lot of artists using film and video in innovative and personal ways.
Complementing the Moving Images event is an exhibition of Guy Maddin’s collages and the presentation of his Seances project with Evan and Galen Johnson. This work is also on view January 12 to February 18, and can be seen in the University of Winnipeg Library’s Hamilton Galleria space. A downloadable pdf publication related to Moving Images is also in the works and will be made available online toward the middle or end of February. Please check back at Gallery 1C03’s website: www.uwinnipeg.ca/art-gallery.
If you’re in the Winnipeg area in January and February, you can catch the shorts screenings at Gallery 1C03 Monday to Friday, 12:00 – 4:00 p.m. and on Saturdays, 1:00 – 4:00 p.m. Admission to the shorts, panel discussions and collage exhibit is free and open to the public. Both venues are wheelchair accessible locations.
Happy anniversary, University of Winnipeg and Gallery 1C03! Thanks for making Canadian short films a part of your celebration.
Hey, short film fans: if you happen to catch a short or two that you really liked, let us know! Send a Tweet out to @1c03 and to @shortfilmfan. Or, post a comment below.
A year-end message from Short Film Fan creator, writer and publisher Mike Kulasza:
This year, 2016, was an incredible year for Short Film Fan. It was a year of further growth and relationship-building which, hopefully, will continue on into next year.
Readership of Short Film Fan increased over last year; the number of visits this year increased by 50% over last year’s visits. New subscribers via email and WordPress have come aboard, too. This must mean that people out there are truly interested in reading and learning about Canadian short films. Thank you to all the new and current subscribers of Short Film Fan. I appreciate your support!
Short Film Fan featured an amazing mix of Canadian filmmakers this year. I appreciate all of you for allowing me to interview you, and thank you for sharing your fantastic short films for us to watch. BJ Verot, Molly McGlynn and Margaret Lindsay Holton were our newest featured filmmakers, and we also heard from our old friends, Alan Powell and Maxime-Claude L’Ecuyer. And, who could forget Short Film Fan’s feature interview with actress/producer/writer, Katie Boland?
Short Film Fan promoted a variety of excellent film festivals, too. Female Eye Film Festival, Air Canada enRoute Film Festival, National Canadian Film Day and Toronto International Short Film Festival were all featured prominently throughout the year. It is good to know that so many film festivals in Canada screen a wide variety of Canadian shorts.
I also had the pleasure in publishing guest blog posts written by Ihor Cap, Angela Perez and Paul Krumholz. Thank you for your interest in being a guest blogger and for taking the time to write and submit your articles. I encourage more of you to send in your articles to be featured on the site. A set of blogger rules was developed and written back in the late summer especially for anyone interested in making his or her mark on Short Film Fan.
Some days, it is not enough just to sit at a desk and write blog posts. It is important for me to connect with people in-person. So, I hit the road this summer and spent a week in Toronto, where I connected with Katy Swailes, Lee-Anne Bigwood and Karen Tsang of the CBC, and James McNally of Shorts That Are Not Pants. Thanks so much for an awesome time and for your input that week! I hope to see you all again soon.
I really enjoyed featuring weekly updates of CBC Short Film Face Off this year. It was an exciting contest this year. Thank you for all the cooperation and feedback, as well as the shout-outs online! Looking forward to working with you next season.
One of my goals this year was to expand Short Film Fan’s reach into Western Canada. This happened in the summer when the National Film Board’s Katja DeBock in Vancouver reached out and connected with me. Thank you, Katja! I’m looking forward to featuring more NFB shorts in the future.
Much thanks goes out to Alina Kelly and Maria Dasilva for communications and graphic design help. I will always be indebted to you. Thanks also to Iris Yudai for some article-writing advice this fall.
To close, I can’t thank all of you enough for your interest and support of Short Film Fan. All of you are making the site what it is. Without you, there would be no Short Film Fan. Please continue to come back as readers and please think of me again when you want to submit an article, a short to review, or a festival to feature. All of your Facebook shares, Tweets and website pingbacks mean a lot to me. Your participation shows that you value Short Film Fan for its content and worldwide reach, as well as the hard work that goes into each blog post.
It was a busy and dynamic year at Short Film Fan. I would like to wish you and your families a Merry Christmas, Happy Holidays, Happy New Year, and all the best in 2017!