The 5th annual Toronto Shorts International Film Festival is back in this September, taking place from the 21st to the 24th at the AGO Art Gallery of Ontario’s Jackman Hall. As in previous years, the festival proudly showcases some of the most unique and fascinating shorts films from Canada and the world.
Among the shorts that will be screened, 25 of them are Canadian and represent a variety of genres, including sci-fi, comedy, drama and animation.
One Canadian short that will catch your eye is FTL, which was written and directed by Adam Stern and stars Ty Olsson as Commander Kane. Kane gets an opportunity to test a new spacecraft, called ‘Lightspeed’, which was constructed to travel faster than the speed of light. While the ship successfully arrives to an orbit around Mars, its attempt to return back to Earth takes an unexpected and frightening turn for Kane, his cohorts and his family. Watch the trailer for a sneak peek at the film:
As a sci-fi short film, FTL is an amazing story about hope and courage when technology goes awry. The drama and suspense are powerful enough to keep the viewer on the edge of his or her seat. The special effects were incredibly detailed and enjoyable to watch. There are some interesting resemblances in FTL to some very famous sci-fi feature films. Kane’s cool attitude in the beginning is reminiscent to Han Solo from Star Wars, while his maddening trip through space will remind viewers of Dave Bowman’s descent to Jupiter in 2001: A Space Odyssey. The ending of the film happened a little too quickly; it would have been interesting to hear what Kane had to say about the whole ordeal. Overall, FTL was a well-acted and well produced short film out of British Columbia. It even has the potential to be made into a full-length feature.
For fans of short film, do not miss out on your chance to visit the Toronto Shorts International Film Festival this year. You will be able to catch more amazing short films such as FTL with a general admission of $14 or with an all-access pass of $40. To buy tickets and for more information on this year’s lineup, including other Canadian shorts, check out their website at www.TorontoShorts.com and be sure to attend!
Want to share a review or comment on a Canadian short that you saw at the festival? Send them to Short Film Fan via Facebook, Twitter or email. Readers’ thoughts on short films are always welcome.
It has been said that Canada is a nation built through immigration. For decades, people from all over the world have made Canada their country of choice to make their new permanent home. For many fleeing war or poverty, Canada gives newcomers a chance to start over and to live as peacefully and happily as much as possible. As recent news reports have shown, though, people will sometimes go to great lengths to be a part of this nation, including dangerously crossing borders via land or sea as refugees. As some also find out, immigrating to Canada is not a sure thing as successful applicants must also meet a number of requirements as set out by the federal government.
While immigration is no laughing matter, Katarzyna Kochany’s short film presents a quick and lighter side to this life-changing event. Based on a true story, Yes I Canada (2017) stars Florian François as the immigration candidate and Dan Willmott as a Canadian immigration agent. Upon entering the door of the immigration office, the candidate enthusiastically makes his case to immigrate to Canada. Not only has he brought official documents for review, the candidate has also gone so far as to bring other personal effects to make his case, including his old teeth. Before the agent has a chance to say anything, the candidate continues by making references to various aspects of Canadian culture. When the agent finally gets to speak, the candidate is in for a surprise. Find out what happens by watching the whole film below:
Short Film Fan spoke with Katarzyna to find out more about Yes I Canada, including the background behind the film and how Canadians, both immigrants and natural-born, have reacted to it.
Short Film Fan: What was the inspiration behind Yes I Canada?
Katarzyna Kochany: The film is adapted from a stage monologue written by Florian François, a Toronto actor who hails from Paris, France. The inspiration came from Florian’s own experiences of applying to become a permanent resident of Canada. Every good comedy is grounded in truth. As a director, I was immediately attracted to this project because of its truth.
SFF: It was surprising to see the candidate trying to use a boom box to play the national anthem. Why was a boom box used instead of a smartphone?
KK: The candidate is trying to do whatever he can to make himself stand out from all other applicants, hoping that when the immigration officer sees how badly he wants to stay, his efforts will be rewarded. Alas, the boom box doesn’t quite work out the way he had hoped.
SFF: What has been the reaction been like by Canadians immigrants who have watched Yes I Canada?
KK: The reaction has been overwhelmingly positive. We’ve received comments from strangers that even though the film is obviously comedic, it is very accurate.
SFF: Have you been able to screen it to anyone who works in government, such as the immigration office?
KK: Though we haven’t had a chance to screen it specifically for Immigration Canada, the film was featured in Canadian Immigrant Magazine and several newspapers: Hamilton Spectator, The Record, and Mississauga News.
SFF: When a natural-born Canadian watches this film, are they surprised at the huge effort that this gentleman took to try to immigrate here?
KK: Immigration is such a huge part of Canadian identity that the story resonates with the general audience. Those who can’t relate to the process of immigration can certainly relate to the challenges of dealing with any sort of bureaucracy. Any surprise in the reactions we’ve encountered is more of the emotional kind: the comedic gags, the heart-wrenching twist at the end.
Short Film Fan Review:
Yes I Canada is a funny little film that is reminiscent of similar one-on-one skits from the comedy troupe, Monty Python. The candidate’s hard work at becoming a Canadian, including apologizing at the beginning and making hockey references, will easily put a smile on your face. Perhaps the agent could have tried to interrupt the candidate a few more times in the film and have those attempts be ignored by the candidate; that may have added a little more humour into the mix. The use of the French translation at the bottom was a great addition to the film; maybe Yes I Canada could be adopted by Canada’s immigration office as a fun little ‘what not to do’ film when considering immigrating to Canada.
Yes I Canada was Katarzyna‘s first time at adapting a stage piece onto film and it was an excellent effort at that. The film was also nominated for Best Comedy and Best Actor at the 300 Seconds Film Festival. We wish Katarzyna all the best in her future short and feature length film work! To learn more about Katarzyna Kochany, check out her website at: http://katarzynakochany.com/
This year’s TIFF is just around the corner and a while back, Short Film Fan listed 29 Canadian short films that will be screened at this year’s festival. For fans of the NFB, three of their animated shorts are also in the mix. This week, the good folks at the NFB provided SFF a chance to screen these shorts before the festival kicks off on September 7th. The following are the films’ teasers and synopses:
Charles, by Dominic Etienne Simard (2017)
Charles knows he’s not like other kids. Every day at school, he’s reminded that his life isn’t like that of his classmates. Every day at home, he sees that he doesn’t receive the same care as other children in his neighbourhood. To dodge the unfairness and taunts, Charles imagines a peaceful haven peopled by good-hearted little frogs.
The Tesla World Light, by Matthew Rankin (2017)
New York, 1905. Visionary inventor Nikola Tesla makes one last appeal to J.P. Morgan, his onetime benefactor. The Telsa World Lightis a tragic fantasy about the father of alternating current, inspired by real events such as the inventor’s run of bad luck as a businessman and his affection for a pet bird, which he loves “like a man loves a woman.” Tesla’s words to the banker form the backdrop of this moving film about the man who blended science and art in his attempts to create the utopia of unlimited energy for all.
Threads, by Torill Kove (2017)
In her latest animated short, Academy Award®-winning director Torill Kove explores the beauty and complexity of parental love, the bonds that we form over time, and the ways in which they stretch and shape us.
Short Film Fan Pick: The Tesla World Light. This was a fascinating documentary-style short about one of the world’s pioneers of electrical engineering. The story itself is enough to encourage others to want to learn more about Tesla’s career struggles and successes. The film was extremely fast-paced and contained a delightful, eye-catching and impressive mix of animation, photography and live action. Those who have seen Rankin’s previous animated short, Mynarski Death Plummet, will see many similarities in styles and pace between the two films. Without a doubt, The Tesla World Light will prove to be a hit with history buffs and lovers of avant-garde cinema alike.
At some point when a couple has been dating for a certain amount of time, both partners must decide whether or not to take things to the next level and enter into a committed relationship. Taking that next step gives both partners a sense of excitement and happiness, as they look forward to their life journey together. As the relationship continues, however, life is not always fun and games as each partner eventually reveals the not-so-good side of his or her personality. As a result, bad habits that were once accepted in the beginning become annoying and difficult behaviours that were at first shrugged-off become a worry. After building a life together, is it worth ending a long-term relationship when bad behaviours get to the point of serious intolerability?
The 13-minute dramatic short film Alison (2016) sets out to answer that question as it looks at one couple’s troubling and emotional evening. Written and produced by Jessica Rose and directed by David Lester, Alison stars Jessica Rose as Alison and Kristopher Turner (Saving Hope, This Life) as Jay. Alison and Jay are heading home from an evening out. With Alison under the influence, Jay does his utmost best to get her inside the house and put her to bed. Things don’t go so smoothly for Jay, as Alison’s behaviour becomes hard to manage. Through it all, Jay keeps his cool until he reaches a breaking point. For more on Alison and Jay’s eventful night together, watch the film below:
Warning: mature content – viewer discretion is advised.
Short Film Fan recently got in touch with Jessica to learn more about Alison, including the difficulties faced by the crew in filming the street scene and whether or not the short was a commentary about addiction and mental health issues faced by couples in long-term relationships.
Short Film Fan: Who or what influenced you to make Alison?
Jessica Rose: David Lester (the director) and I have been together for eleven years, so long term relationships are something I think we understand very well. The film shows a kind of intimacy specific to long term relationships that we hadn’t seen portrayed on screen before in a way that felt authentic to us. When you live with someone you get to see all sides of them that the general public isn’t privy to: all the wonderful cute lovely things you fell in love with and, inevitably, all the baggage that reveals itself when you really trust each other or start to test each other. Sometimes it’s working at it and getting through the hard stuff that makes your love even deeper, but it can be hard to see that when you’re in the thick of it. Also, speaking to the character of Alison specifically, I was going through a challenging time personally and I was probably channeling some of those feelings when creating her.
SFF: What challenges did you face when it was time to film the tinkle scene in the street?
JR: Time! We shot the whole film in one day, and the pee scene was the last thing on the schedule. It was nearly 2 a.m. and getting very cold, all of us had worked hard all day and were exhausted, and we needed to wrap. We used a “pee rig”, so there were definitely some technical adjustments we had to make to figure it out. David operated the rig, which was big syringe attached to a tube sewn into the pants, and on the first take he put too much pressure into the pump and it came out like a waterfall. It took some practice to get it to look natural. Luckily it was the middle of the night so there weren’t too many people walking by ready to call the cops.
SFF: Was it a mental health or addiction issue that was behind Alison’s dysfunctional behaviour?
JR: We actually don’t want to say too much about what we intended because it’s been fascinating to learn how people interpret it and project their own relationship experiences onto the film. That being said, I didn’t intend it to be an addiction issue when I initially wrote it. I actually think Alison is a pretty normal girl, and that the situation reflected in the film is more common between young couples than people tend to admit. Relationships have the potential to be very beautiful things, but they do challenge us and teach us a great deal about ourselves. The process can be deeply rewarding, but it’s not necessarily smooth sailing.
SFF: Some people would say that what we witnessed in Jay was relationship co-dependency. Is the film an attempt to bring the issue of codependency out into the open for public discussion?
JR: I wouldn’t say it was a deliberate attempt because I didn’t have that kind of agenda when writing it, but it’s absolutely a conversation in the film and something I think about in my own life. Having been in a relationship for eleven years, David and I really grew up together in our twenties, and when you’re with someone for an extended period of time, unconsciously your needs start to bleed together and you end up making compromises or demands on each other that you don’t even realize you’re making. Developing true independence and self-sufficiency within the relationship was something we had to work extremely hard on. That being said, I wrote the ending the way it is because I really want to make the audience question whether Alison behaves this way all the time or if this is a more isolated event. In healthy relationships, even if both people work hard to be emotionally responsible for themselves, inevitably there are times where you take turns caring for one another. I like that Alison shows up for Jay the next day, and we finally get to see this other side to her that he really loves.
SFF: Alison was named a Vimeo Staff Pick awhile back. What was it like for you and your team when you got the news?
JR: So exciting! Putting it online was a lot of hard work, but seeing it take off and find an audience was the most gratifying, rewarding thing. I was really happy about the traction it was getting online even before we had the Vimeo news — we were amazed at how many people started to share it over social media. It’s vulnerable to put such a personal story on the Internet and it’s really difficult to give a film life online. We had no idea what the response would be, so ultimately the whole experience ended up being so moving to us. I was home alone in my pajamas when I got the Staff Pick e-mail and kind of just burst into tears (in a good way). David was working, so I called him with the news and we both kind of freaked out.
SFF: What lesson or lessons would you like the audience to take away from Alison?
JR: Honestly, I hope that if there are any lessons to be taken from the film that they are very unique to the person watching it. Our favourite thing about film is how it gets people talking, so what we love most is when people start to have dialogue about it after and reflect on what they’ve seen and how it connects to their own life. We’ve had people write to us and share the different ways they relate to the film or how it’s changed their perspective on their past or current relationships, and that part is really the most gratifying.
Short Film Fan Review:
Alison was an emotional and heartfelt story about staying dedicated to your mate. While it is easy to run from a relationship at the first sign of trouble, Alison shows us that true love for a partner includes accepting the bad with the good. The quick scene change from “oh yeah, peanut butter” to vomiting was funny, but you still feel for Alison’s suffering; especially when she broke down in tears in the tub. Jay’s calmness when confronting and coping with Alison’s behaviour showed an amazing strength of character, while his break down reminds us all that a person’s strength can only last for so long. If the film went on for a few minutes longer, perhaps Jay could have revealed his true thoughts, feelings and concerns about Alison and how it was affecting his place in the relationship.
Overall, Alison is an extremely well-written and well-acted serious film that would resonate with couples young or old; married or still in the dating phase. Singles could also benefit from watching Alison, as it would be a great teaching tool on how to manage the relationship stresses and challenges. As Jessica mentioned, Alison has the ability to get people thinking and talking about their own relationship experiences. After watching the film above, how did it affect the way you see relationships past and present? Have you been in a similar situation like Jay was? Have you walked in Alison’s shoes at one point? Let Jessica know how Alison moved you. You can send her a comment at the bottom of the film’s website at https://www.alisonshortfilm.com/ or you can Tweet her at @thejessrose
Next month, the 42nd annual Toronto International Film Fest (TIFF) will be taking place September 7th to 17th and it promises to satisfy the palates of all sorts of film buffs. From world cinema to documentaries to experimental film, TIFF 2017 is Canada’s, if not the continent’s, largest on-going film festival that features new and seasoned film talent from Canada and around the world.
Of course, no film festival would be complete without short films and TIFF recently announced this year’s shorts line up for its September screening. There will be 29 Canadian shorts at this year’s festival, including 11 directed by women and three by Indigenous filmmakers. 24 shorts are part of the Short Cuts programme and 5 shorts will be shown under the festival’s Wavelength banner.
The complete list is as follows:
SHORT CUTS PROGRAMME
The Argument (with annotations) Daniel Cockburn, Canada/UK
Bickford Park Linsey Stewart, Dane Clark, Canada
Bird Molly Parker, Canada
Charles Dominic Etienne Simard, Canada/France
Creatura Dada Caroline Monnet, Canada
Crème de menthe Philippe David Gagné, Jean-Marc E. Roy, Canada
The Crying Conch (Le cri du lambi) Vincent Toi, Canada
The Drop In Naledi Jackson, Canada
For Nonna Anna Luis De Filippis, Canada
Grandmother (ʔEtsu) Trevor Mack, Canada
homer_b Milos Mitrovic, Conor Sweeney, Canada
An Imagined Conversation: Kanye West & Stephen Hawking Sol Friedman, Canada
Stay, I Don’t Want to Be Alone (Reste, je ne veux pas être toute seule) Gabriel Savignac, Canada
The Tesla World Light (Tesla : Lumière Mondiale) Matthew Rankin, Canada
Threads Torill Kove, Canada/Norway
We Forgot to Break Up Chandler Levack, Canada
Heart of a Mountain Parastoo Anoushahpour, Ryan Ferko, Faraz Anoushahpour, Taiwan/Canada
Palmerston Blvd. Dan Browne, Canada
Scaffold Kazik Radwanski, Canada
some cities Francesco Gagliardi, Canada
Turtles Are Always Home (Sokun Al Sulhufat) Rawane Nassif, Canada/Lebanon/Qatar
All 24 Canadian Short Cuts films are eligible for the IWC Short Cuts Award for Best Canadian Short Film. All films in the Short Cuts programme are eligible for the IWC Short Cuts Award for Best Film. For synopses of all shorts, go to tiff.net/sc and tiff.net/wavelengths. For tickets, click tiff.net/tickets or call 416-599-TIFF (toll-free: 1-888-599-8433).
If you will be attending TIFF this year, why not show your support for homegrown short film talent and see this year’s slate of Canadian shorts (many of which are world premieres). If you do happen to see any of them, share your thoughts about what you saw by leaving a message in the comments box below!
If you or anyone you know is a young and aspiring filmmaker living in the Greater Toronto area, the Toronto Youth Shorts Film Festival is back. On August 11th and 12th, a total of 53 short films will be featured in five different programs throughout various locations. This festival is your chance to see some of Toronto’s budding filmmakers’ work in a wide variety of genres, including animation, comedy and drama covering a wide variety of topics.
Short Film Fan had the pleasure in reviewing a sample of what festival goers will expect to see at this year’s festival. The themes, dates and locations of these films are also included below. Thanks to Aleks Tucovic, an avid Short Film Fan reader and subscriber, for contributing four of the reviews in this list:
UNDER THE SURFACE – August 11, 7:30pm, Spadina Theatre at Alliance Francaise de Toronto
But Wait, There’s More – directed by Mike Mildon
In this cheeky 14-minute short, Tim goes door to door on a mission to bring people to God. In his travels, he meets the legendary and disgraced TV marketer, Danny Deals, who teaches Tim a thing or two about sales. The film was part mockumentary, part dramatic comedy in which the costumes and props gave the short somewhat of an authentic 1980s look and feel. There are some good lessons to learn at the end, no matter what you are trying to sell. – MK
Erika – directed by Hanna Jovin
During World War II, a Bosnian and German girl find and stoke a friendship that stretches beyond ethnicity. The acting was excellent and the use of German and Bosnian languages made it feel like the short was produced in Europe. Maybe the lesson to be learned in this film is that, while the first casualty of war is truth, the innocence of youth remains intact. This a great short for history buffs who would like to learn more about Bosnia and its people during the war. -MK
UNBOUND – August 12, 1:15pm, Innis College
Happy Face Hill – directed by Samantha Chalmers
When life drives a highway through one’s life, what is one to do? There’s no better opportunity than to put a smile on everyone who is driving that highway of life. “Happy face can’t always be happy,” says the film’s speaker, however. He reminds us to just enjoy the day, the family, friends and the meal on the table. You don’t know what the day will bring, but having watched Happy Face Hill I know it brought an enjoyable film to my day. -AT
Nana – directed by Ali Kellner
This animation piece is a personal account of experience of a girl from Budapest during World War II. The film flows from the narration. Where the words established the events, the animation filled with imagery of what was directed in those harsh times. The music which was of somber tone bound together the destiny of people swept up by great historical shifts. The film pulled me in into its humble yet powerful reflections. -AT
PROPOSAL – August 12, 3:30pm, Innis College
The Talk – directed by Tyler Boyco
A husband and wife try to come up with the best possible way to talk to their young teenage daughter about the birds and the bees. The resulting heart to heart is far from the scenarios that they come up with in their minds. Although a bit slow paced, this short made an often uncomfortable rite of passage for all parties involved into a lighthearted comedy. After watching this short, teenage viewers may want to tread carefully while at sitting at home between after school and dinner time. -MK
These Familiar Faces – directed by Maximum Brauch and Raine Akiyama-Chen
This was a spooky story of four people in an emotional group session. The music weighed in heavily on the direction of the film. Going back and forth in creative storytelling created its own story deconstruction. The film’s characters left me wondering about what reality was like for those young enough to remember and those not yet old enough to know better. -AT
TRANSITIONS – August 12, 6:00pm, Innis College
Ariana – directed by Astrid Harrison
After losing her love in a car accident, young woman hears a particular tune at a wedding that she can’t get out of her mind. She helps the song’s composer by adding lyrics of her own, which in turn helps her with closure. The short was a very heartwarming story about the tragedy of love lost and the hope in moving on. The car accident scene was particularly shocking and has the potential to make viewers flinch in their seats. The music and singing were beautifully written and scored for the film. -MK
Breath, Maggie, Breathe – directed by Sofie Uretsky
Before undergoing a delicate and unconditional procedure, a conversation between sisters sets the tone of the story. The opening shows the main character strongly composed then shows her vulnerability in dialogue. I liked how her deflection of a doctor’s concern leads directly to the next scene’s reflections with her partner. This was an uncomplicated yet important story. -AT
Holding on or letting go. It can be a challenging decision that is usually influenced by the values we hold. For example, if a device that you have cherished for years no longer worked properly, do you keep it and get it repaired or do you throw it away and get a new one? What about when a loved one dies? Do you live in the past or are you able to move on with your life? The decision to act one way or the other is sometimes not so easy to make, though. Memories, experiences and even our mental health can factor in heavily when making that next step.
The 2016 short film Static is a dramatic and intense look at this common life struggle, as it takes you into the eye of a family drama hurricane between an older man and his son as they clash over the fate of a broken TV set. Produced and written by Tanya Lemke and based on the short story of the same name by Robert Shearman, Static stars Eric Peterson as Ernest and Yannick Bisson as his son, Billy. Ernest is a widower living alone with an old TV set. It drips blood (in his mind) and wants it repaired. Billy, on the other hand, has different designs. He wants to replace his dad’s old TV set with a new one. With angry opposition, and with memories of his deceased wife, Ernest makes an attempt to save the one thing left in his life from its demise.
Click on CBC’s Canadian Reflections link below to watch the whole short:
Short Film Fan spoke with Tanya to learn more about Static, including the many ways you could interpret Ernest’s behavior and mindset throughout the film:
Short Film Fan: Why did you decide to write and produce Static?
Tanya Lemke: My first short film Happy Pills was about to be released. I was high on that experience and my newfound love of directing, and I wanted to get going on another film as soon as possible. I also make my living in production which cuts into a lot of development time. So, aside from my own writing I was looking around for something to adapt. I had the chance to meet my now good friend Robert Shearman around that time and read a bunch of his stuff, which I loved! His story ‘Static’ jumped out at me because it illustrated so clearly a theme that I’m still fascinated with: the things we don’t say and don’t say and don’t say, until the façade inevitably cracks and the corrosive truth starts to leak out. That’s powerful stuff. Fortunately Rob liked my work too, and when I asked him if I could adapt ‘Static’ I was thrilled when he said yes. The script I wrote from that story then won the Screenplay Giveaway from the last-ever CFC Worldwide Short Film Festival, and we were a go.
SFF: What was it like working with Eric Peterson and Yannick Bisson, two powerhouse Canadian actors?
TL: I’d been lucky enough to work with Yannick on Murdoch Mysteries for a while so I already knew him when I approached him with this script. But, I was still absolutely floored when he agreed to join in, especially considering his exhausting schedule on Murdoch. He’s an absolute megawatt star in every way and I’ll be forever grateful for his support. The search for our Ernest was tougher; I had never met Eric Peterson before and I admit I was a bit intimidated to send him the material. He’s a legend! But he loved the script and was so gracious and generous with his time and energy. He came to our set utterly prepared with reams of his own notes on his character and backstory despite also being in the middle of shooting a major Canadian production (Best Laid Plans for CBC). Really, working with both of these guys was the best experience I could hope for.
SFF: We can see that Ernest strongly believes in the value of fixing and keeping things rather than throwing them out quickly. But, are we witnessing a much stronger feeling of survivor guilt or an inability to let go?
TL: Absolutely. All of those things and more – how they contrast and how they connect. One of the reasons I was so drawn to the story of Static’ was its layers upon layers of meaning under an almost placid façade. Ernest is old-fashioned. He subscribes to the idea that “they just don’t make things the way they used to”: electronics, wives… There is love and grief and terrible guilt, but also denial. There’s resentment for being left behind, and resentment towards the ones who are left. There is the idea that by constantly replacing flawed things with new; we sanitize them, avoiding the messiness of death and decay. It speaks to our more and more obvious inability to deal. Then there’s the external vs. the internal world; what’s real and what isn’t – is it grief, is it dementia, is it madness? I love the story’s contrasts; it’s a bit funny, painfully poignant and also horrifying in a way. It’s also hopeful despite being super dark. Even the title has multiple meanings: “static” speaks to Ernest’s frozen emotional state and inability to move forward, as well as the static on the TV’s screen, which again indicates that nothing is black and white but many tones of grey (and red).
SFF: What has the audience reaction been like to the film?
TL: Static has been so well received at all the festivals it’s played at so far, as well as its Canadian broadcast on CBC, and I can’t wait to bring it to more audiences worldwide. I was actually a bit surprised by how warmly the horror/genre community in particular embraced it. I guess it was because of all the blood (but what mainstream love story wouldn’t benefit from a little blood spurt, I ask you?). It’s wonderful to hear all of the feedback and support from fellow filmmakers as well as fans. I particularly love to hear from these hardcore horror fans: things like “moving”, “tear-jerking”, “heart-wrenching”. There’s a bit of a cool contrast going on there too and it’s awesome.
SFF: What message would you like the audience to take away from Static?
TL: Making Static ended up being cathartic for me on a whole bunch of levels. I think one of its messages is that everything and everyone is complex and that’s as it should be. It doesn’t have to be pretty. Accept everything, even (especially) the darkness. Feel what you need to feel.
Short Film Fan Review:
Static was a moving tale of generational divides and value clashes. Ernest’s remark of “Stop tossing things out when they get broken and try to fix them for a change.” sounded like a stinging warning against and rebuke of the throw-away society that we currently live in. For fans of Canadian television programs, casting Eric Peterson and Yannick Bisson was a treat. They played their characters quite well and looked like a real-life father and son duo. You could even hear a bit of Oscar from the hit TV show’s Corner Gas coming from Eric in some of the scenes, especially during the answering machine argument. The dripping blood gave Static that horror short film feel and it added to the film’s tense drama. It was hard to watch Ernest go through the pain of reliving his dog’s and wife’s death. But, of course, it was important to include those scenes as it gave important context to his obsession to “stop tossing things out”. In the last scene, it would have been a fitting twist to see the image of his wife’s face in the TV set as Ernest was driving madly away in the car, rather than the trees. Finally, Static was well-acted, well-written and reminds us that it can be hard to let go as well as to hold on; sometimes the situation we are in does not make the decision-making process any easier.
Give Static a follow on Twitter @StaticTheMovie to see if it is playing at a film festival near you. All the best to Tanya in her future short film endeavors!
Toronto is home to many film festivals, and the Toronto International Film Festival (TIFF) is by far the city’s best known. Film buffs from around the world descend upon TIFF each year to watch and enjoy features and shorts from Canada and around the globe. If you’re lucky, you even get a chance to see some of Hollywood’s finest actors as they make their appearance to TIFF. Over the years, TIFF has become a huge cultural event that puts the film spotlight directly on Canada.
For film fans, and for short film fans in particular, you’ll be pleased to know that you can experience TIFF outside of its annual fall programming by way of TIFF Short Cuts. Shown at the TIFF Bell Lightbox in downtown Toronto, TIFF Short Cuts screens a variety of Canadian and world-wide short films. If you’re unable to visit Toronto for any reason and would like to experience TIFF Short Cuts, have no fear. TIFF’s outreach program, TIFF Film Circuit, makes its appearance in many Canadian communities each year.
Short Film Fan reached out to Laura Good, programmer of TIFF Short Cuts and TIFF Film Circuit, to get a better understanding of what Short Cuts is all about and what is planned for Short Cuts programming this year.
Short Film Fan: What is TIFF Short Cuts?
Laura Good: TIFF Short Cuts is a programming stream dedicated to showcasing short film. The year round Short Cuts series is named as an extension of the Short Cuts section at the Toronto International Film Festival. We host monthly screenings that feature the best of international short film, spanning all genres, sensibilities and styles with a focus on innovation, originality, representation and impact.
Short Cuts allows audiences to sample cinema from all over the globe, in one sitting, and in my opinion, it is some of the most important filmmaking in the world. Short film is a birthplace of innovation and is often the first place we see global trends emerge in terms of both content and form. Since the format is able to be nimble and reactive, it is often the most accurate reflection of our current zeitgeist, as well.
SFF: What is your role with Short Cuts?
LG: I program and host the series, so I get to assemble programs of some of the most incredible short filmmaking in the world and present them to Toronto audiences. There are, generally speaking, far less constraints on short filmmakers than on feature filmmakers, so they have more flexibility and creative freedom. I would argue that the same freedom is inherent to short film programming.
Our recent Misfits program celebrated stories about characters who live beyond the artistic, cultural and existential status quo. It’s a beautiful thing be able to explore something like nonconformity through a diverse pack of female skateboarders who resist the patriarchy (Jennifer Reeder’s Crystal Lake), a contemporary ghost story (Connor Jessup’s Boy), and a woman who transforms into a cloud as a defense mechanism (Mark Katz’ aptly named, People Are Becoming Clouds), all in one screening slot. I feel very lucky to get to showcase such boundary-pushing work from the filmmakers who will determine the future of cinema.
I also bring in short film packages of short format work from fellow festivals and organisations. Past collaborations have included the Sundance Shorts Tour, featuring award winners from their festival, curated by Sundance’s own Mike Plante, and The Prism Prize Top Ten, featuring nominees for the prestigious award, which recognizes excellence in Canadian music videos.
SFF: How long has TIFF Short Cuts been going on for?
LG: The year round Short Cuts series has only been taking place since the opening of TIFF Bell Lightbox in 2010, but it has an old soul. TIFF programmer Magali Simard programmed the series for many years and passed the baton on to me last year.
SFF: Where in Toronto can short film fans check out Short Cuts?
LG: You can check out the Short Cuts series at the aforementioned TIFF Bell Lightbox, year-round home of the Toronto International Film Festival and hub for film lovers from Toronto and around the world. Keep an eye on the schedule here: http://www.tiff.net/#short-cuts
SFF: What kind of short films do you typically screen at Short Cuts?
LG: We show the best of world cinema including favourites from the Toronto International Film Festival, such as the hypnotizing documentary montage on the resilience of indigenous peoples across time and space – Mobilize (dir. Caroline Monnet), and the recipient of the Best Short Film award at the 2015 Toronto International Film Festival, depicting a Senegalese family living in Paris, who find themselves at a crossroads – Maman(s) (dir. Maïmouna Doucouré). We also feature award winners from around the world, such as the Winner of the Horizons Award at the 2015 Venice Film Festival – Belladona (dir. Dubravka Turic), a remarkable Croatian film about perception and female to female empathy, and hidden gems such as the incredibly timely and impeccably cast look at the African American experience After TheStorm (dir. Jessica Oyelowo).
SFF: Do you screen only Canadian shorts at Short Cuts, or do you also feature shorts from other countries?
LG: We screen short films from around the globe. Countries represented in the past year include: Iraq, Germany, Argentina, Australia, Chile, Croatia, France, The United Kingdom, Hungary, Norway, Sweden, U.S.A., Israel and Jordan, to name a few.
It is also a priority to support the incredible filmmaking happening here at home. Every program has Canadian representation. A few Canadian films that we have recently featured include: The GrandfatherDrum (dir. Michelle Derosier), Mobilize (dir. Caroline Monnet), Bacon and God’s Wrath (dir. Sol Friedman), Boy (dir. Connor Jessup), Dredger (dir. Phillip Barker), Her Friend Adam (dir. Ben Petrie), Benjamin (dir. Sherren Lee), and World Famous Gopher Hole Museum (dir. by Chelsea Mcmullan and Douglas Nayler).
SFF: Have any filmmakers come to any of your Short Cuts screenings as guest speakers?
LG: Yes! We aim to have a filmmaker or special guest in attendance at each screening.
Director Phillip Barker and lead actress Alex Paxton-Beasley (known for Dirty Singles and TV’s MurdochMysteries) attended the screening of his visually arresting, fourth wall breaking short, Dredger, which was a part of our Summer Fever program, to talk about experimental filmmaking, sexuality and character. They also spoke about their last collaboration, Malody, and hinted at another to come.
Ben Petrie, who directed the glorious and unforgettable meltdown that is Sundance Award winner and Canada’s Top Ten selection, Her Friend Adam, also joined us to talk about his process and working with TIFF Rising Star Grace Glowicki, for our screening of the Sundance Film Festival Short Film Tour.
Connor Jessup, director of the Ozu-inspired and poetically supernatural Boy attended the Misfits program. You may know him as an alumnus of the TIFF Rising Stars program which recognizes talent in front of the camera, such as his performances in Closet Monster and TV’s American Crime. The producer of Boy Ashley Shields-Muir (who also collaborated with Jessup on Little Coffins) joined us as well. They told us all about their influence and gave us a sneak peek into their next short, Lira’s Forest, which they described as having the sensibility of a live action studio Ghibli film!
Sherren Lee, director of Benjamin (a film that tackles LGBTQ adoption and surrogacy), was in attendance for an Intro and Q&A following the screening along with her lead actor Jean-Michel Le Gal to talk about feminism in film and representation in all its forms.
SFF: Many short film fans don’t live in Toronto, and therefore aren’t able to attend Short Cuts easily. Are there ways that they can experience a Short Cuts screening in their own hometown?
LG: TIFF’s national film outreach program, TIFF Film Circuit, brings the best of both short and long format filmmaking to film series’ and film festivals across Canada. Film Circuit works with 170 locations in over 150 communities spanning from Prince Rupert, B.C. to Charlottetown, P.E.I.
I program many of the Canadian shorts that we play at the Short Cuts series at TIFF Film Circuit locations across the country. Some locations show short film packages and others pair short films with features. TIFF’s Canada’s Top Ten program travels to many of our locations and the Oscar-nominated Canadian short film Blind Vaysha (which was also an official selection of the Toronto International Film Festival and Canada’s Top Ten Film Festival), is currently prefacing many feature film screenings. Find out if there is a Film Circuit location near you, here: www.tiff.net/filmcircuit/locations
SFF: How has the audience reception been to Short Cuts?
LG: The audiences have been really engaged. One of our highest attended recent screenings was the Emerging Female Voices Spotlight – a collection of short films from some of the world’s most promising emerging female filmmakers. We used the screening as an opportunity to vocalize our commitment to gender parity and intersectional feminism. The gender gap grows dramatically in the space that typically exists between short and feature filmmaking so it’s a vital place to have that conversation. We also used the program as an entry point to a much larger conversation about inclusion, representation and empathic intelligence, and the Toronto short film community rallied!
SFF: Can we get a sneak peek into what you have planned for Short Cuts in 2017?
LG: Absolutely! Our next program – Canada, Animated – focuses on home-grown talent. It takes place on Sunday, March 5th at 1pm and explores what makes the Canadian viewpoint so unique through the work of some of our most exciting new animators. It will include Alisi Telengut’s Nutag – Homeland, a poignant, hand-painted ode to the pain of the displaced Kalmyk people of the Soviet Union, following WWII. Also feature filmmaker Robin Joseph’s Fox and the Whale, an atmospheric tale of curiosity about a fox who is drawn to the sea. Joseph will be in attendance to introduce the film and will be present for a Q&A with the audience, following the program. Take a look at the full program details for Canada, Animated here: http://www.tiff.net/events/canadian-animation
Also upcoming is Spotlight: Clermont Ferrand, a selection of recent favourites from the Clermont-Ferrand International Short Film Festival curated by Laurent Guerrier, screening Thursday, April 6th at 9pm. Highlights include Shio Chen Quesck’s Guang, an affecting Malaysian film about a young man who struggles with social interaction but finds comfort in a secret passion and Emma de Swaef and Marc Roels’ fabric based stop motion animation Oh Willy, an absurdist Nordic film about a nudist in mourning, who ventures into the woods to find solace. Take a look at the full program details for Spotlight: Clermont Ferrand here: http://www.tiff.net/events/spotlight-clermont-ferrand
Stay tuned for more programs, to be announced on a seasonal basis, throughout 2017!
Sounds like it’s going to be an excellent year of shorts programming this year at Short Cuts. A big ‘thanks’ goes to Laura and everyone at TIFF for making Canadian shorts accessible via Short Cuts, Film Circuit and TIFF itself. If you happen to catch any of the Canadian shorts at these screenings, be sure to let them know via Twitter @TIFFShortCuts @FilmCircuitTIFF and @TIFF_Net. Don’t forget to include Short Film Fan @shortfilmfan or leave a comment below. Follow TIFF on Facebook, too: https://www.facebook.com/TIFF
With a new year upon us, many people will take the time to sit down and reflect upon the past and make plans for the future. Some of us will map out a goal to lose weight or to take a course and learn something new. For others, looking for a new job and starting a new career are on top of their lists. In today’s economy, it feels like it is getting tougher for job seekers to get noticed and to find opportunities to shine in job interviews. When a person does manage to latch on to that coveted foot in the door, he or she only has a moment to make a good impression and hopefully land that new job. But what happens when that job interview that you were looking forward to earlier suddenly becomes a struggle? How do you turn an interview around that is headed in the wrong direction?
The short film Interview (2016) could offer you some answers. Directed by Ryan Kayet and produced by Dave Gibson, Interview was written by Ryan Kayet and Ashan Butt, and stars Richard Young as ‘Rik’ and Charlie Ebbs as ‘Colin’. Rik is given a chance of a lifetime when his cousin helps him secure an interview with her boss, Colin. As soon as Rik enters Colin’s office, however, things do not go as he had hoped. Colin dismisses Rik’s qualifications and attempts to educate Rik on what he looks for in an ideal candidate. The interview becomes a battle of wits between the two men, with Rik finding the strength and courage to challenge Colin, take control, and turn the meeting around in his favour. Check out the film’s trailer below:
Short Film Fan recently reached out to Ryan for some of his thoughts about Interview:
Short Film Fan: What motivated or influenced you to make Interview?
Ryan Kayet: My good friend, who also happens to be a talented writer, Ahsan Butt, and I had wanted to work on a project together for some time. Interview was created out of our desire to tell a story that featured strong characters in a situation where the power shifts back and forth. When creating the script for Interview, we filtered through multiple different plot lines and ideas before Ahsan came up with one that would be the story’s defining moment – Rik refusing to leave and demanding to be interviewed. This was the point that I could see it becoming a short film and one that I wanted to make.
SFF: What particular challenges did you experience when making the film?
RK: I was really fortunate to have two great actors (Richard Young and Charlie Ebbs) playing the leads because this was a challenging, dialogue heavy script. I spent a lot of time working with the actors in rehearsal. We broke down the characters, created their back story, and searched for the subtext within the dialogue. Because of the way it was written, we really needed to have this prep work to nail the portrayal of the realistic and deep characters. So that was a challenge, but one that was very fun and rewarding! From a technical perspective, making a short film that is a continuous dialogue scene, with two actors, and in one location poses a few challenges as well. I spent a lot of time during pre-production developing the shot list to ensure that camera movements and angles would in service to the story and the characters, while also keeping the audience engaged.
SFF: Colin had placed many obstacles in front of Rik during the interview. In your opinion, what was the biggest obstacle that Rik had to contend with?
RK: Rik had a lot to deal with, but his biggest obstacle was not even being considered before entering the room. Colin, whether it was because of his bias or simply not being interested, had no intention of taking Rik seriously; he just wanted to give some advice, toot his own horn, and dismiss Rik. So when Rik takes a little control and demands to be interviewed, it is a big moment. It is this action that shows the strength and depth of his character. It’s a rather audacious move, and the point at which most people would certainly not dare to follow as the stakes for repercussions grows much higher. Ahsan, Dave Gibson (the producer) and I are always drawn to these moments in a story, because it reflects what we would like to do, but decide (perhaps wisely) not to.
SFF: What lessons, if any, would you like the audience to learn from Interview?
RK: In setting out to create this story, I didn’t intend to give people a “take away” of any sorts. One of the most powerful things a film can do is accurately reflect an aspect of our own society in a way that is honest and promotes empathy. There was a lot of effort put in to make sure that Colin wasn’t portrayed as evil, like some villain out of an after school special. He obviously has his flaws, and some unchecked biases, but if he was overtly and unrealistically prejudicial, I don’t think this film would resonate. At our last screening, we had numerous people talk to us about how much they could relate to Rik’s situation, and how closely it reflected their feelings. Honestly, that’s all I can ask for.
Short Film Fan Review: From start to finish, Interview was a riveting 19-minute short. Colin’s preoccupation with his mobile phone within the first one and a half minutes into the film was a tip that things were not going to go well between the two gentlemen. Rik’s determination and Colin’s arrogance were scripted well and complemented both of these characters. It was easy to relate to and feel for Rik’s character, as most job seekers have experienced at least one bad interview at some point in their lives. In some ways, you could see that Colin was in a bind as an employer. Since his employee Angie (who we did not see in the film) had recommended Rik, and she presumably got along with Colin, he probably felt that he had to entertain Angie’s request of meeting up with Rik in order to show that he was a good boss. The dialogue was very realistic and it felt like as if you were in that room experiencing the interview in person. Interview is highly recommended watching for interviewers and interviewees, alike. Watch out, interviewers: make sure you know how to handle yourself in an interview better than Colin did.
A year-end message from Short Film Fan creator, writer and publisher Mike Kulasza:
This year, 2016, was an incredible year for Short Film Fan. It was a year of further growth and relationship-building which, hopefully, will continue on into next year.
Readership of Short Film Fan increased over last year; the number of visits this year increased by 50% over last year’s visits. New subscribers via email and WordPress have come aboard, too. This must mean that people out there are truly interested in reading and learning about Canadian short films. Thank you to all the new and current subscribers of Short Film Fan. I appreciate your support!
Short Film Fan featured an amazing mix of Canadian filmmakers this year. I appreciate all of you for allowing me to interview you, and thank you for sharing your fantastic short films for us to watch. BJ Verot, Molly McGlynn and Margaret Lindsay Holton were our newest featured filmmakers, and we also heard from our old friends, Alan Powell and Maxime-Claude L’Ecuyer. And, who could forget Short Film Fan’s feature interview with actress/producer/writer, Katie Boland?
Short Film Fan promoted a variety of excellent film festivals, too. Female Eye Film Festival, Air Canada enRoute Film Festival, National Canadian Film Day and Toronto International Short Film Festival were all featured prominently throughout the year. It is good to know that so many film festivals in Canada screen a wide variety of Canadian shorts.
I also had the pleasure in publishing guest blog posts written by Ihor Cap, Angela Perez and Paul Krumholz. Thank you for your interest in being a guest blogger and for taking the time to write and submit your articles. I encourage more of you to send in your articles to be featured on the site. A set of blogger rules was developed and written back in the late summer especially for anyone interested in making his or her mark on Short Film Fan.
Some days, it is not enough just to sit at a desk and write blog posts. It is important for me to connect with people in-person. So, I hit the road this summer and spent a week in Toronto, where I connected with Katy Swailes, Lee-Anne Bigwood and Karen Tsang of the CBC, and James McNally of Shorts That Are Not Pants. Thanks so much for an awesome time and for your input that week! I hope to see you all again soon.
I really enjoyed featuring weekly updates of CBC Short Film Face Off this year. It was an exciting contest this year. Thank you for all the cooperation and feedback, as well as the shout-outs online! Looking forward to working with you next season.
One of my goals this year was to expand Short Film Fan’s reach into Western Canada. This happened in the summer when the National Film Board’s Katja DeBock in Vancouver reached out and connected with me. Thank you, Katja! I’m looking forward to featuring more NFB shorts in the future.
Much thanks goes out to Alina Kelly and Maria Dasilva for communications and graphic design help. I will always be indebted to you. Thanks also to Iris Yudai for some article-writing advice this fall.
To close, I can’t thank all of you enough for your interest and support of Short Film Fan. All of you are making the site what it is. Without you, there would be no Short Film Fan. Please continue to come back as readers and please think of me again when you want to submit an article, a short to review, or a festival to feature. All of your Facebook shares, Tweets and website pingbacks mean a lot to me. Your participation shows that you value Short Film Fan for its content and worldwide reach, as well as the hard work that goes into each blog post.
It was a busy and dynamic year at Short Film Fan. I would like to wish you and your families a Merry Christmas, Happy Holidays, Happy New Year, and all the best in 2017!