Tag Archives: indie film

An 8-Film Preview Of 2017 Toronto Youth Shorts Film Festival

If you or anyone you know is a young and aspiring filmmaker living in the Greater Toronto area, the Toronto Youth Shorts Film Festival is back. On August 11th and 12th, a total of 53 short films will be featured in five different programs throughout various locations. This festival is your chance to see some of Toronto’s budding filmmakers’ work in a wide variety of genres, including animation, comedy and drama covering a wide variety of topics.

Aleks Tucovic
Short Film Fan had the pleasure in reviewing a sample of what festival goers will expect to see at this year’s festival. The themes, dates and locations of these films are also included below. Thanks to Aleks Tucovic, an avid Short Film Fan reader and subscriber, for contributing four of the reviews in this list:

 

UNDER THE SURFACE – August 11, 7:30pm, Spadina Theatre at Alliance Francaise de Toronto

But Wait, There’s More – directed by Mike Mildon

In this cheeky 14-minute short, Tim goes door to door on a mission to bring people to God. In his travels, he meets the legendary and disgraced TV marketer, Danny Deals, who teaches Tim a thing or two about sales. The film was part mockumentary, part dramatic comedy in which the costumes and props gave the short somewhat of an authentic 1980s look and feel. There are some good lessons to learn at the end, no matter what you are trying to sell. – MK

Erika – directed by Hanna Jovin

During World War II, a Bosnian and German girl find and stoke a friendship that stretches beyond ethnicity. The acting was excellent and the use of German and Bosnian languages made it feel like the short was produced in Europe. Maybe the lesson to be learned in this film is that, while the first casualty of war is truth, the innocence of youth remains intact. This a great short for history buffs who would like to learn more about Bosnia and its people during the war. -MK

 

UNBOUND  – August 12, 1:15pm, Innis College

Happy Face Hill – directed by Samantha Chalmers

When life drives a highway through one’s life, what is one to do? There’s no better opportunity than to put a smile on everyone who is driving that highway of life. “Happy face can’t always be happy,” says the film’s speaker, however. He reminds us to just enjoy the day, the family, friends and the meal on the table. You don’t know what the day will bring, but having watched Happy Face Hill I know it brought an enjoyable film to my day. -AT 

Nana – directed by Ali Kellner

This animation piece is a personal account of experience of a girl from Budapest during World War II. The film flows from the narration. Where the words established the events, the animation filled with imagery of what was directed in those harsh times. The music which was of somber tone bound together the destiny of people swept up by great historical shifts. The film pulled me in into its humble yet powerful reflections. -AT

PROPOSAL – August 12, 3:30pm, Innis College

The Talk – directed by Tyler Boyco

A husband and wife try to come up with the best possible way to talk to their young teenage daughter about the birds and the bees. The resulting heart to heart is far from the scenarios that they come up with in their minds. Although a bit slow paced, this short made an often uncomfortable rite of passage for all parties involved into a lighthearted comedy. After watching this short, teenage viewers may want to tread carefully while at sitting at home between after school and dinner time. -MK

These Familiar Faces – directed by Maximum Brauch and Raine Akiyama-Chen

This was a spooky story of four people in an emotional group session. The music weighed in heavily on the direction of the film. Going back and forth in creative storytelling created its own story deconstruction. The film’s characters left me wondering about what reality was like for those young enough to remember and those not yet old enough to know better. -AT

 

TRANSITIONS – August 12, 6:00pm, Innis College

Ariana – directed by Astrid Harrison

After losing her love in a car accident, young woman hears a particular tune at a wedding that she can’t get out of her mind. She helps the song’s composer by adding lyrics of her own, which in turn helps her with closure. The short was a very heartwarming story about the tragedy of love lost and the hope in moving on. The car accident scene was particularly shocking and has the potential to make viewers flinch in their seats. The music and singing were beautifully written and scored for the film. -MK

Breath, Maggie, Breathe – directed by Sofie Uretsky

Before undergoing a delicate and unconditional procedure, a conversation between sisters sets the tone of the story. The opening shows the main character strongly composed then shows her vulnerability in dialogue. I liked how her deflection of a doctor’s concern leads directly to the next scene’s reflections with her partner. This was an uncomplicated yet important story. -AT

 

For more on this year’s Toronto Youth Shorts Film Festival and to buy your tickets, check out http://www.torontoyouthshorts.ca/

If you see any of the shorts featured listed above and want to share your own thoughts about them, leave a comment below!

Have fun at the festival, everyone!

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View Shorts & Vote For Your Favourite At WFG’s 48-Hour Film Contest

For short film fans living in the Winnipeg area, the summer weather has been very hot and humid this past while. If you are looking to escape the heat while enjoying 27 newly-minted Manitoba-made short films at the same time, come down to the Metropolitan Entertainment Centre on Wednesday, August 2nd  at 7 p.m. for the 48-Hour Film Contest.

This annual event organized by the Winnipeg Film Group encourages the creation of short films made by Manitoba residents. Participants are tasked to write, shoot, edit, score and complete an original short in just two days.

Not only will the audience be treated to some quality short films, there will be a reception after the contest with a chance to win some prizes and an opportunity to mix and mingle with the filmmakers and members of various arts organizations.

Hot off of the 48-Hour Contest premiere at Gimli Film Festival, Short Film Fan caught up with Ben Williams, WFG’s Production Centre Director, to learn more about this year’s 48-Hour Film Contest at the Met:

 

Short Film Fan:  What genre of shorts will be screened at this year’s contest?

Ben Williams:  Actually, every year the filmmakers are given a challenge to produce a film within a set of parameters called “The Key”. The Key changes every year and each year there is a different plot theme, at least two camera techniques and the use of a music score. It is within these parameters that each filmmaker crafts their film. This year the plot theme was titled “The Quest”: There’s comedy, drama, LGBT content, special effects, some action and even puppets in this year’s crop of films.

SFF: Which categories will these shorts compete under?

BW:  At Gimli, there was a jury selection for Best Film, Best Director, Best Cinematography, Best Editor, Best Sound, Best Score, Best Actor and Best Actress. At the Metropolitan, the audience gets to decide on the People’s Choice Awards for Best Film and Best Score. If you attend this event your vote will count.

SFF: Which filmmakers should the audience especially keep their eyes on?

BW:  I can honestly say that this year’s crop of films is stronger than it has been in the past four years. If we judge it by what the jury and Gimli crowd felt… filmmakers like Julie Epp, Cleo Leslie, Michael Sanders, Jhurmel Pasqua, Vincent Tang, Carter Hadlow, Lasha Mountain, John Titley and Lucky 7 Studios (composed of 7 teenagers ages 13-17) each have quality films. The bar is getting raised higher each year and we are proud of the results.

SFF:  Why should short film fans attend this year’s 48-Hour Film Contest?

BW:  There will be a reception afterwards with appetizers and a cash bar served from 6 p.m. to 10:30 p.m. We will have a silent auction with generous sponsorships from: Royal MTC, Winnipeg Symphony Orchestra, Royal Ballet of Winnipeg, Landmark Cinemas and other great prizes. All ticket holders will receive 10% off at Chosabi (printed on the ticket). There will be many filmmakers, musicians, actors, film industry folks, local business arts supporters and arts organizations in attendance a great opportunity to build and network.

 

For tickets to the screening, click on the Winnipeg Film Group’s website: https://www.winnipegfilmgroup.com/event/48-hour-film-contest-2017-at-metropolitan-entertainment-centre/

For directions to the Met, check out  http://www.themetwinnipeg.com/contact-us/

A pair of free tickets is available to a lucky Short Film Fan reader in Winnipeg. Just email your name and phone number to cdnshortfilmfan@gmail.com and two tickets will be waiting for you and a guest at the door.

Happy viewing, short film fans!

‘A Bicycle Lesson’ Rides On To Advance To ‘Short Film Face Off’ Finals

Tonight’s episode of Short Film Face Off was broadcast on July 15th and featured the second round of Canadian filmmakers vying for the $40,000 film production prize from Telefilm Canada and William F. White. While two of the films focused on experiencing a key moment in human life, the third film looked more at the experiences of two dolls’ not-so-pleasant lives.

Letter To My Future Self by Robert Randall was the first on the bill, followed by Renuka Jeyapalan’s A Bicycle Lesson and Trevor Kristjanson’s Boy Toys. In Letter To My Future Self, a teenager struggles with disappointment after reading a letter that she wrote to herself as a child; a young woman teaches her mom to ride a bicycle in A Bicycle Lesson; two dolls in Boy Toys feel the abuse and manipulation caused by their female and male handlers.

Second Round Contestants With Panel

A Bicycle Lesson won tonight’s round at 13.5 points, with Boy Toys coming in second place with 12.5 points and Letter To My Future Self taking third place with 10.5 points.

Letter To My Future Self was mostly serious with some humorous moments about that one key stage in life many of us experience: a breakup of a teenage dating relationship. It was heartwarming to see the teenager open up and share her thoughts to her younger self. The conversation’s tone between the two girls felt good as they were speaking to each other not as elder against younger, but more as equals.

A Bicycle Lesson also dealt with a life stage, but this time it is the stage when aging parents need help from their older children. The film did a great job at highlighting the struggle the young woman had with this situation: how do you juggle your own personal life with the need to help your parents? It would be a question that could not be easily answered as it was evident that the relationship between the two women was obviously strained.

Boy Toys offered a hilarious revelation into the life of two “Ken” dolls as they experience all sorts of abuse and embarrassing situations caused by the kids who play with them. It was especially funny to see the awkward positions the dolls took after being thrown onto the ground; that scene in particular could make anyone cringe and should make a kid think twice before treating his or her toys so roughly.

Kudos to Robert, Renuka and Trevor for appearing on Short Film Face Off with such amazing short films. All the best goes to Renuka as she bikes her way to the final round on July 29th. To watch tonight’s entire episode or to see any of the three shorts separately, visit http://watch.cbc.ca/short-film-face-off/season-10/d611d09a-6397-4a86-a91b-7632cfe86a9a

‘Parent, Teacher’ Takes First Round In Season 10 Of ‘Short Film Face Off’

Ten years seem like a long time, especially in the world of television. But for short film fans, ten years of watching Canadian shorts on TV has become a cherished tradition. The tradition continues this weekend when the 10th season of CBC’s Short Film Face Off will be broadcast for the next four weekends in July. The show’s slogan nicely sums up what viewers can expect this month: “four nights, nine films, one winner, you decide.”

At the end of this tenth season, a $40,000 film production package will be awarded to the winner of Short Film Face Off. The package is split up two ways:  $30,000 is contributed by Telefilm Canada with an additional $10,000 from William F. White International Inc.

The first episode of Season 10 aired on July 8th, with Steve Patterson returning as host and Nadia Litz, Mohit Rajhans and Eli Glasner resuming their roles as panelists.

On tonight’s episode, we were introduced to Gavin Seal (Case Claus’d), Roman Tchjen (Parent, Teacher) and Jessie Short (Sweet Night). In Case Claus’d, a young boy investigates the true giver of his Christmas gift; a teacher and a parent disagree on how a student should defend himself in Parent Teacher; a young Metis woman begins a journey of cultural reconnection and personal exploration in Sweet Night.

Filmmakers Seal, Tchjen and Short

Parent, Teacher moved on to the final round with 13.5 votes, Case Claus’d garnered 12.0 votes, while Sweet Night picked up 10.5 votes.

This tenth season of Face Off started off with three very profound shorts. The message in Case Claus’d that ‘facts don’t matter when you want to believe in something’ can easily be adapted into the adult world just as much as a child’s world; believing in a goal when the odds (i.e. facts) are against you is common in adult lives.

Parent, Teacher was in a sense a clash of cultures and parenting styles. For years, schools and parents have argued over the best way to teach a child to fend off bullying and mistreatment. The argument between the teacher and parent in this short made felt intense and realistic.

Sweet Night was a very timely film in its themes of Aboriginal cultural reconnection and sexual identity exploration. It felt like the LRT ride symbolically represented Andy’s journey down these two paths.

A big congratulations goes out to Gavin, Roman and Jessie for sharing their films with us. All the best to Roman as he waits to see who he’ll compete with for the $40,000 production prize package. Go to http://watch.cbc.ca/short-film-face-off/season-10/d611d09a-6397-4a86-a91b-7632cfe86a9a to view the first episode of Season 10 again or to watch each of tonight’s films separately.

Short Film Face Off Reaches Milestone 10th Season on CBC-TV

For Canadian short film fans, perhaps one of the most anticipated yearly television broadcasts is CBC’s Short Film Face Off. Taped in front of a live studio audience in Halifax, Nova Scotia, Short Film Face Off features nine Canadian filmmakers and their short films in which one winning filmmaker is awarded a generous filmmaking prize package. Hosted by Steve Patterson, the shorts are judged by a studio panel of three Canadian film professionals and the final winning short film is voted by the show’s viewers across Canada.

This year marks Short Film Face Off’s tenth year of showcasing these diverse and talented filmmakers’ short films to a vast Canadian television viewing audience. This is a huge milestone for the show; especially since it is unique in its format, niche in its content and is on-air for just four weeks of the year.

Short Film Fan reached out to Peter Hall, Senior Manager, Production Services at CBC Atlantic to get some insight into the history of Short Film Face Off, the reason for its longevity, and how the show has been received by the filmmakers and the viewing audience.

 

Short Film Fan: How did you come up with the idea of Short Film Face Off?

Peter Hall: At CBC Halifax, we were working closely with quite a few short film producers and directors. We supported several awards in the region to help emerging filmmakers get their films produced.  There were so many great films being made that we wanted to give them greater exposure and we knew the CBC audience would be the perfect place. We also knew this would be fresh programming because most people have few opportunities to see short films.

SFF: What were you hoping or expecting to achieve with Short Film Face Off, and were those hopes and expectations met?

PH: We have far exceeded our expectations.  Here we are ten years later and we have broadcast close to one hundred short films on television and introduced that many emerging Canadian directors to a whole new audience. Our intent was to showcase short films and provide a platform for directors to tell their stories from communities across the country. I am thrilled we are still doing that.

SFF: Short Film Face Off is now in its 10th season. How do you account for this milestone?

PH: Short Film Face Off is a very accessible program. Our host, Steve Patterson, does a great job to make filmmaking easy to understand and to appreciate for the television audience.

SFFO’s Host Steve Patterson
But really, the single most important aspect of the program is the quality of films that directors bring the program. They tell unique stories about Canadians and Canadian life and where else are you going to find that?

We also have had terrific support from Telefilm Canada over the years. This program fits perfectly into their mandate, and they have been an integral part of the show’s success.

We also have industry support from William F. White who offers an equipment rental package to our winning filmmakers.

SFF: How has the program changed since its first season, and what kinds of changes to the show do you foresee in the future?

PH: The program itself has not changed very much. Our format is pretty well the same; really the biggest change that we have seen is in the quality of films that are submitted every year. Typically there are close to two hundred films that are sent to our juries across the country and every year it seems they get better and better. Technology has certainly been part of that with the development of computer animation and effects but I think we are seeing films from some very talented filmmakers who know and love their craft.

SFF: Do you have a memorable moment from the show, either on or off camera?

PH: I always love to see the directors interact with Steve for the first time on the set. Steve can be somewhat unpredictable (in a nice way) so understandably it can be unnerving to anticipate what he may say or do. Once a director was describing in detail how, with much difficulty, they had borrowed a Volkswagen to shoot a scene. It turned out to be quite a long story and at the end Steve laughed and said, “Well that story was longer than the whole film”.

SFF: What has the feedback about the show been like from the filmmakers and viewers?

PH: For the most part, filmmakers who come to Halifax for the program love the experience. They really appreciate having their film shown to a national audience and talking about it with industry professionals. But we have noticed the friendships that are made between the filmmakers.

Filmmakers listening to panelist feedback.
When in Halifax the directors are able to meet others from across the country and there are great conversations and discussions about filmmaking. It is a singular opportunity for them to together and they do so in the studio and after hours in the pub. I think some lasting friendships have begun at Short Film Face Off.

Our best viewer feedback comes from the voting. I am always amazed to see the number of votes and the fact that they come from every province and territory.

SFF: How do you visualize Short Film Face Off’s role on CBC 10 years from now?

PH: I would like to see the program expand into a longer series.  Film is the dominant art form of our time and that is unlikely to change in the next 10 years and beyond.

SFF: Do you have any other comments or thoughts you would like to share about Short Film Face Off or Canadian short films, in general?

PH: I would like to tell film and television audiences that there are many fantastic Canadian short films being made in this country. Not only are the films wonderful to watch but the people making them are the future of filmmaking in Canada; they will be the ones to protect and celebrate the future Canadian culture.

 

Short Film Fan Commentary:

Indeed, there is an incredible wealth of short films out there made by Canadian filmmakers. These shorts are fun to watch with memorable and relatable story lines that add to an already rich Canadian film and television culture. Although they may be found on the Internet and at film festivals, Short Film Face Off is perhaps the most interesting, informative and exciting place to view Canadian shorts.

Viewers who have never seen a Canadian short film before will be impressed with the quality and variety that make their way onto Short Film Face Off each year. If you are not a Canadian short film fan now, you will be after watching the show. It will be exciting to see how this 10th season will unfold. Catch the first episode on July 8 at 7 p.m. local time.

Thank you to Short Film Face Off for connecting Canada together through short films, for bringing Canadian filmmakers into the spotlight and for making Canadian short films more accessible for everyone to enjoy and appreciate. Congratulations on your 10th season!

High-Scoring ‘The Ballad of Immortal Joe’ Spins Its Tale, Advances To ‘Short Film Face Off’ Finals

The last trio of Canadian filmmakers appeared on the third episode of CBC’s Short Film Face Off on July 2nd.  They all had their spotlights beaming on the $45,000 film production prize to be won on next week’s finals courtesy of Telefilm Canada and William F. White.

IMG - SFFO 16 - Ep3This time, it was Hector Herrera (The Ballad of Immortal Joe), Daniel Boos (Bound) and Rachelle Casseus (The Buckley Brothers) who were featured on the program and made their pitches to the panel. These three short films were brimming with romance, drama and comedy.  In the animated The Battle of Immortal Joe, a cowboy monster recounts his tale of love and sadness; a shopkeeper in Bound is torn when he discovers his brother employs foreign workers; two brothers born of different fathers are convinced they are identical twins in The Buckley Brothers.

In the end, The Buckley Brothers finished in third place with 12.0 points, with Bound coming in second place with 13.5 points. The Ballad of Immortal Joe clinched first place with 14.0 points and was the highest-scoring film on the program this season.

Tonight’s shorts had certain characteristics to them that should make them audience favorites at future film festivals.  The Ballad of Immortal Joe was an entertaining and unique tribute to the old cowboy stories of The Old West. We also learn the lesson that despite our sorrows, there are others who are worse-off in life. The shopkeeper faced a difficult situation in Bound – how to deal with the fact that his generous brother is also using foreign (read: illegal) workers at his sawmill. The appearance of the small paper note signified the seriousness of the plight of these workers, while the mystery of the unknown message written in the note has the ability to raise curiosity levels in any viewer. The two brothers in The Buckley Brothers symbolized that one can be happy and accept others despite overt differences. The two young girls’ memories of their dates with the brothers were funny and the children who played the brothers as young kids bore an almost uncanny resemblance to the grown actors.

Hats off to Hector, Daniel and Rachelle for competing on Short Film Face Off. All the best goes to Hector as he approaches possible immortality on next week’s season finale. Viewers have the chance to vote for their favourite film from the past three weeks at cbc.ca/shortfilmfaceoff or by phoning 1-877-876-3636 until Sunday night.

You can watch tonight’s episode and each of these three films again online at CBC Player.

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‘Moving On’ Makes A Move To The Finals On ‘Short Film Face Off’

The second episode of this season’s Short Film Face Off aired on June 25th with three more talented Canadian filmmakers. Each had their camera lenses focused on winning the $45,000 film production prize contributed by Telefilm Canada and William F. White.

IMG - SFFO 16 - Ep2Mike Fardy (Moving On), Michael Chen (Lost) and Brett Ferster (Claddagh) joined host Steve Patterson as they each presented their own skill at short filmmaking. There was a mix of humour and seriousness in tonight’s films. A woman tries to convince her partner to take their relationship to the next level in Moving On; a young girl in Lost finds peace through a relationship with a stuffed toy rabbit; the oldest of three brothers has to decide between the telling the truth and protecting his siblings in Claddagh.

While Lost came in third with 10.5 points, Moving On won tonight’s round with 12.5 points by narrowly passing second place Claddagh, which picked up 12.0 points.

It was good to see a mixture of intensity and lightheartedness in tonight’s shorts.  Moving On was a funny look at the age-old struggle that confronts most people at some point: the desire to have things to stay the same versus the need to progress with life. The magic wands were the perfect props; in our culture, they have come to symbolize our desire to have the power to get what we want without pain or working for it. The anguish and sadness suffered by the little girl in Lost was difficult to watch, but it is an unfortunate reality that is experienced by many children in unhappy homes. However, the short-lived happiness she felt by playing with the toy rabbit was uplifting. Claddagh reminded us that we can count on certain members of our family to help us out when a situation feels unescapable. It also showed that help and compassion can come from the most unlikely of people; the sheriff knew the brother was covering-up for the other brother, but gave the boys a chance to disassociate themselves from the fisherman’s death.

Congratulations go out to Mike, Michael and Brett for appearing on Short Film Face Off. All the best to Mike as he ‘moves on’ to the final round. Watch tonight’s episode and the films online at CBC Player.

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‘Never Happened’ Spends The Night Advancing To The Final Round On ‘Short Film Face Off’

Summer is typically the time of year when we can slow down a little and relax outside, whether at the cottage or at the beach. Summer is also an opportunity to watch new blockbuster movie releases from Hollywood or to catch up on old favourites via downloads or rentals through cable TV.  If you are looking for the latest in Canadian short films, however, look no further than CBC-TV’s Short Film Face Off. Now in its ninth year, Short Film Face Off comes to you for four weekends in a row with nine filmmakers hoping to win one fantastic filmmaking prize.

The sought-after prize is a $45,000 film production package with $30,000 coming from Telefilm Canada and an additional $15,000 contributed by William F. White International Inc. The prize will be awarded at the end of this season’s fourth and final episode.

Face Off went through some changes since it last aired in the fall of 2015. Firstly, the show’s broadcast dates were moved to the summer months of June and July. Secondly, William F. White became the newest contributor to the prize awarded to the show’s winner. And, thirdly, filmmaker Nadia Litz made her debut as one of the show’s panelists.

This newest and ninth season of Face Off took place on June 18th. Steve Patterson resumed his role as host of the program. Joining Nadia Litz on the panel of judges were veteran Face Off panelists Mohit Rajhans and Eli Glasner.

SFFO 16 - Ep 1Tonight’s contestants were Jennifer Walden (Painted Girl), Mark Slutsky (Never Happened) and Ross Moore (The Woman in White). Painted Girl looked at the transformation of a young woman by the arrival of her grandfather’s painting kit in the mail; two business colleagues attempt to wipe away the memory of their affair in Never Happened; a young girl and an older man talk about their sibling rivalries in The Woman in White.

Painted Girl picked up 11.5 votes, while both Never Happened and The Woman in White earned 13.0 votes. After a tie-breaker huddle by the panel, Never Happened won and became the first short film of the season to advance to the final round.

These three shorts were a powerful way to start the ninth season of Face Off. It was very encouraging to see the woman determined to keep going with her painting despite the abuse she suffered in Painted Girl. With her strong memories of her grandfather and a growing talent in painting, it came as no surprise that she connected with the subjects that she painted. In Never Happened, you can definitely feel the anticipation and attraction between the two colleagues. Using their phones to delete the affair from their memories was a clever commentary on how technology has become pervasive in our personal lives. The Woman in White showed us how deeply sibling relationships impact our lives in some way. However, it also reminded us to remember the good times we had with our siblings when an unexpected turn happens to that relationship.

A well-deserved ‘congratulations’ goes to Jennifer, Mark and Ross. Good luck to Mark in his quest for the $45,000 production award. Visit the CBC Player to watch the entire episode again or each film separately.

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Make ‘The Date’ (2014) Your Restaurant Menu Pick On Valentine’s Day

Valentine’s Day is coming. On February 14th, the malls will be packed full of men and women buying gifts for their significant others. Dinner reservations will be made, cinema line-ups will be a little longer than normal and romance will fill the air. For singles, the day might consist of sad recalls of past relationships, questions surrounding unrequited love and increased visits to dating websites. It’s definitely a day where each of us can take a step back and examine how relationships can impact our lives for better or for worse.

Numerous films over the decades have dealt with love, romance and relationships from all sorts of angles and plots resulting in predictable endings. However, the Canadian short The Date is not your typical dating and relationship film. Written and produced by Mazi Khalighi, and starring Katie Boland and Noah Reid, The Date is a unique look at the beginning, middle and ending of a relationship between two people.

The Date takes place in only one location: a hamburger restaurant. The film begins when Steph (Boland) and Mike (Reid) meet up with each other at the restaurant sometime after their relationship ended.  Afterwards, we watch as Steph and Mike start, sustain and end their relationship at the same table in the same restaurant. Just like many real-life relationships, everything is positive and shows potential at the beginning. After a few years, the relationship plateaus and becomes routine. In the end, as problems and hard feelings have surfaced, Steph and Mike split up and go their separate ways.

Watch the film here:

 

In terms of a dating and relationship film, The Date was brilliantly presented and is perhaps one of the best Canadian short films made in a long time that deals with this topic. It was different and refreshing to experience the story only from the perspective from the restaurant conversations.  Boland and Reid did a great job in executing their roles. The emotions and body language looked and felt extremely real; it was as if we were sitting in the restaurant right beside the couple.

So, whether you’re with your sweetie or doing some online dating on Valentine’s Day, pull out a chair at your favourite burger joint, sit down, take out your laptop or tablet and check out The Date.

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Alan Powell’s ‘Sunday Punch’ Makes A Hit On CBC’s Short Film Face Off

What do rock formations, a tube of glue and a sports network have in common with Canadian short films? They were found in three competing short films in the September 20th broadcast of CBC’s Short Film Face Off.  Tonight’s episode was Round 2 of the program’s short film competition, in which the winner will be awarded with the Telefilm Canada Short Film Face Off Award cash prize of $30,000, as well as $15,000 in equipment rentals from PS Production Services and Sim Digital.

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Tonight, we were introduced to Michal Lavi (‘Glue’), Ruth Lawrence (‘Talus & Scree’) and Alan Powell (‘Sunday Punch’). Just like the shorts in last week’s episode, their films also dealt with serious themes. ‘Glue’ looked at a woman’s sticky approach to her troubled relationship; ‘Talus & Scree’ examined a woman’s painful memory of her sister’s accident; ‘Sunday Punch’ transformed a couple’s argument into a television sport spectacle.

Clockwise: SFFO audience has fun with host Steve Patterson; film makers Lavi, Lawrence and Powell, SFFO panel Rajhans, Latimer and Glasner share their thoughts and a pose with Patterson
Clockwise: SFFO audience has fun with host Steve Patterson; film makers Lavi, Lawrence and Powell, SFFO panel Rajhans, Latimer and Glasner share their thoughts and a pose with Patterson

After all the voting by the panel and studio audience was complete, Alan Powell won with ‘Sunday Punch’ and advanced to the final round. His film won a combined total of 12.0 stars. Lawrence’s ‘Talus & Scree’ came second at 11.0 stars, and Lavi’s film ‘Glue’ won third spot with a total of 9.5 stars.  If you’d like to see the show or each film again, click on this CBC Player link : http://www.cbc.ca/player/Shows/Shows/Short+Film+Face+Off/

These three films were all enjoyable to watch. ‘Glue’ was fun and unpredictable because no one could have known what Sophie was going to do with that tube of glue. ‘Sunday Punch’ made me smile and laugh; the concept of turning a couple’s argument into a spectator sport with Rod Black and his colour commentary was a work of genius. ‘Talus & Scree’ was a very powerful look at a woman’s hard childhood memory. I have to defend Ruth’s use of the voice over. I actually thought it fit in with the film very well. In my opinion, although the majority of ‘Talus & Scree’ focused on the little girls, it was the grown sister who introduced this tragic moment to us and who finally found closure in the end.

Congratulations to Michal, Ruth and Alan for appearing on SFFO, and good luck to Alan’s run at the $45,000 prize!

Hey short film makers! Here’s some film making advice and tips from tonight’s contestants:

 

(Images and links courtesy of CBC Short Film Face Off)